He opened his mouth and bent toward her throat – to kiss? To bite? Snow never knew – and she took the fistful of butter and the poisoned ring inside it and shoved it all inside his maw.
He choked, then reflexively swallowed, and the butter made the ring slide down his gullet.
“What have you done?” he said, clawing at his own throat, tearing away long bleeding strips of skin. Smoke rose from his mouth and seeped out the corners of his eyes, and blackened veins rose under the surface of his face. “WHAT HAVE YOU DONE, SNOW WHITE?”
He lunged for her and she darted out of his grasp, revealing the open window.
Snow pushed him as hard as she could.
He screamed as he fell, and she heard his terror and his fury, and she was glad.
After a while he stopped screaming, and she was able to look out. Far below she saw his broken body on the rocks that surrounded the castle.
Off in the distance there was dust rising from the road. As Snow watched three figures emerged, riding fast – her brothers, coming to take her home.
TROLL BRIDGE
NEIL GAIMAN
They pulled up most of the railway tracks in the early sixties, when I was three or four. They slashed the train services to ribbons. This meant that there was nowhere to go but London, and the little town where I lived became the end of the line.
My earliest reliable memory: eighteen months old, my mother away in hospital having my sister, and my grandmother walking with me down to a bridge, and lifting me up to watch the train below, panting and steaming like a black iron dragon.
Over the next few years they lost the last of the steam trains, and with them went the network of railways that joined village to village, town to town.
I didn’t know that the trains were going. By the time I was seven they were a thing of the past.
We lived in an old house on the outskirts of the town. The fields opposite were empty and fallow. I used to climb the fence and lie in the shade of a small bulrush patch, and read; or if I were feeling more adventurous I’d explore the grounds of the empty manor beyond the fields. It had a weed-clogged ornamental pond, with a low wooden bridge over it. I never saw any groundsmen or caretakers in my forays through the gardens and woods, and I never attempted to enter the manor. That would have been courting disaster, and besides, it was a matter of faith for me that all empty old houses were haunted.
It is not that I was credulous, simply that I believed in all things dark and dangerous. It was part of my young creed that the night was full of ghosts and witches, hungry and flapping and dressed completely in black.
The converse held reassuringly true: daylight was safe. Daylight was always safe.
A ritual: on the last day of the summer school term, walking home from school, I would remove my shoes and socks and, carrying them in my hands, walk down the stony flinty lane on pink and tender feet. During the summer holiday I would put shoes on only under duress. I would revel in my freedom from footwear until the school term began once more in September.
When I was seven I discovered the path through the wood. It was summer, hot and bright, and I wandered a long way from home that day.
I was exploring. I went past the manor, its windows boarded up and blind, across the grounds, and through some unfamiliar woods. I scrambled down a steep bank, and I found myself on a shady path that was new to me and overgrown with trees; the light that penetrated the leaves was stained green and gold, and I thought I was in fairyland.
A little stream trickled down the side of the path, teeming with tiny, transparent shrimps. I picked them up and watched them jerk and spin on my fingertips. Then I put them back.
I wandered down the path. It was perfectly straight, and overgrown with short grass. From time to time I would find these really terrific rocks: bubbly, melted things, brown and purple and black. If you held them up to the light you could see every color of the rainbow. I was convinced that they had to be extremely valuable, and stuffed my pockets with them.
I walked and walked down the quiet golden-green corridor, and saw nobody.
I wasn’t hungry or thirsty. I just wondered where the path was going. It traveled in a straight line, and was perfectly flat. The path never changed, but the countryside around it did. At first I was walking along the bottom of a ravine, grassy banks climbing steeply on each side of me. Later, the path was above everything, and as I walked I could look down at the treetops below me, and the roofs of occasional distant houses. My path was always flat and straight, and I walked along it through valleys and plateaus, valleys and plateaus. And eventually, in one of the valleys, I came to the bridge.
It was built of clean red brick, a huge curving arch over the path. At the side of the bridge were stone steps cut into the embankment, and, at the top of the steps, a little wooden gate.
I was surprised to see any token of the existence of humanity on my path, which I was by now convinced was a natural formation, like a volcano. And, with a sense more of curiosity than anything else (I had, after all, walked hundreds of miles, or so I was convinced, and might be anywhere), I climbed the stone steps, and went through the gate.
I was nowhere.
The top of the bridge was paved with mud. On each side of it was a meadow. The meadow on my side was a wheatfield; the other field was just grass. There were the caked imprints of huge tractor wheels in the dried mud. I walked across the bridge to be sure: no trip-trap, my bare feet were soundless.
Nothing for miles; just fields and wheat and trees.
I picked an ear of wheat, and pulled out the sweet grains, peeling them between my fingers, chewing them meditatively.
I realized then that I was getting hungry, and went back down the stairs to the abandoned railway track. It was time to go home. I was not lost; all I needed to do was follow my path home once more.
There was a troll waiting for me, under the bridge.
“I’m a troll,” he said. Then he paused, and added, more or less as an afterthought, “Fol rol de ol rol.”
He was huge: his head brushed the top of the brick arch. He was more or less translucent: I could see the bricks and trees behind him, dimmed but not lost. He was all my nightmares given flesh. He had huge strong teeth, and rending claws, and strong, hairy hands. His hair was long, like one of my sister’s little plastic gonks, and his eyes bulged. He was naked, and his penis hung from the bush of gonk hair between his legs.
“I heard you, Jack,” he whispered in a voice like the wind. “I heard you trip-trapping over my bridge. And now I’m going to eat your life.”
I was only seven, but it was daylight, and I do not remember being scared. It is good for children to find themselves facing the elements of a fairy tale – they are well equipped to deal with these.
“Don’t eat me,” I said to the troll. I was wearing a stripy brown T-shirt, and brown corduroy trousers. My hair also was brown, and I was missing a front tooth. I was learning to whistle between my teeth, but wasn’t there yet.
“I’m going to eat your life, Jack,” said the troll.
I stared the troll in the face. “My big sister is going to be coming down the path soon,” I lied, “and she’s far tastier than me. Eat her instead.”
The troll sniffed the air, and smiled. “You’re all alone,” he said. “There’s nothing else on the path. Nothing at all.” Then he leaned down, and ran his fingers over me: it felt like butterflies were brushing my face – like the touch of a blind person. Then he snuffled his fingers, and shook his huge head. “You don’t have a big sister. You’ve only a younger sister, and she’s at her friend’s today.”