The frame of the cot creaked as he slowly lowered himself onto it, facing the infant. His frown deepened. Through him, he felt Saphira watching the girl as she lay on the blankets, now dozing, seemingly oblivious to the world. Her tongue glistened within the cleft that split her upper lip.
What do you think? he asked.
Go slowly, so that you do not bite your tail by accident.
He agreed with her, then, feeling impish, asked, And have you ever done that? Bitten your tail, I mean?
She remained silently aloof, but he caught a brief flash of sensations: a medley of images—trees, grass, sunshine, the mountains of the Spine—as well as the cloying scent of red orchids and a sudden painful, pinching sensation, as if a door had slammed shut on her tail.
Eragon chuckled quietly to himself, then concentrated on composing the spells he thought he would need to heal the girl. It took quite a while, almost a half hour. He and Saphira spent most of that time going over the arcane sentences again and again, examining and debating every word and phrase—and even his pronunciation—in an attempt to ensure that the spells would do what he intended and nothing more.
In the midst of their silent conversation, Gertrude shifted in her seat and said, “She looks the same as ever. The work goes badly, doesn’t it? There is no need to hide the truth from me, Eragon; I have dealt with far worse in my day.”
Eragon raised his eyebrows and, in a mild voice, said, “The work has not yet begun.”
And Gertrude sank back, subdued. From within her bag, she removed a ball of yellow yarn, a half-finished sweater, and a pair of polished birch knitting needles. Her fingers moved with practiced speed, quick and deft, as she began to knit and purl. The steady clacking of her needles comforted Eragon; it was a sound he had heard often during his childhood, one that he associated with sitting around a kitchen fireplace on cool autumn evenings, listening to the adults tell stories while they smoked a pipe or savored a draught of dark brown ale after a large dinner.
At last, when he and Saphira were satisfied that the spells were safe, and Eragon was confident that his tongue would not trip over any of the strange sounds of the ancient language, Eragon drew upon the combined strength of both their bodies and prepared to cast the first of the enchantments.
Then he hesitated.
When the elves used magic to coax a tree or a flower to grow in the shape they desired, or to alter their body or that of another creature, they always, so far as he knew, couched the spell in the form of a song. It seemed only fitting that he should do the same. But he was acquainted with only a few of the elves’ many songs and none of them well enough to accurately—or even adequately—reproduce such beautiful and complex melodies.
So, instead, he chose a song from the deepest recesses of his memory, a song that his aunt Marian had sung to him when he was little, before the sickness had taken her, a song that the women of Carvahall had crooned to their children from time immemorial when they tucked them under the covers for a long night’s sleep: a lullaby—a cradle song. The notes were simple, easy to remember, and had a soothing quality that he hoped would help keep the infant calm.
He began, soft and low, letting the words roll forth slowly, the sound of his voice spreading through the tent like warmth from a fire. Before he used magic, he told the girl in the ancient language that he was her friend, that he meant her well, and that she should trust him.
She stirred in her sleep, as if in response, and her clenched expression softened.
Then Eragon intoned the first of the spells: a simple incantation that consisted of two short sentences, which he recited over and over again, like a prayer. And the small pink hollow where the two sides of the girl’s divided lip met shimmered and crawled, as if a dormant creature were stirring beneath the surface.
What he was attempting was far from easy. The infant’s bones, like those of every newborn child, were soft and cartilaginous, different from those of an adult and thus different from all of the bones he had mended during his time with the Varden. He had to be careful not to fill the gap in her mouth with the bone, flesh, and skin of an adult, or those areas would not grow properly along with the rest of her body. Also, when he repaired the gap in her upper palate and gums, he would have to move, straighten, and make symmetrical the roots of what would become her two front teeth, something he had never done before. And further complicating the process was the fact that he had never seen the girl without her deformity, so he was uncertain how her lip and mouth ought to appear. She looked like every other baby he had seen: round, pudgy, and lacking definition. He worried, then, that he might give her a face that appeared pleasant enough at the moment, but that would become strange and unattractive as the years passed.
So he proceeded cautiously, making only small changes at a time and pausing after each one to ponder the result. He started with the deepest layers of the girl’s face, with the bones and cartilage, and slowly worked his way outward, singing all the while.
At a certain point, Saphira began to hum along with him from where she lay outside, her deep voice making the air vibrate. The werelight brightened and dimmed in accordance with the volume of her humming, a phenomenon that Eragon found exceedingly curious. He resolved to ask Saphira about it later.
Word by word, spell by spell, hour by hour, the night wore on, though Eragon paid no attention to the time. When the girl cried from hunger, he fed her with a trickle of energy. He and Saphira tried to avoid touching her mind with theirs—not knowing how the contact might affect her immature consciousness—but they still brushed against it occasionally; her mind felt vague and indistinct to Eragon, a thrashing sea of unmoderated emotions that reduced everything else in the world to insignificance.
Beside him, Gertrude’s needles continued to clack, the only interruption in the rhythm coming when the healer lost count of her stitches or had to tink back several knits or purls in order to correct a mistake.
Slowly, ever so slowly, the fissure in the girl’s gums and palate fused into a seamless whole, the two sides of her cat lip pulled together—her skin flowing like liquid—and her upper lip gradually formed a pink bow free of flaws.
Eragon fiddled and tweaked and worried over the shape of her lip for the longest while, until at last Saphira said, It is done. Leave it, and he was forced to admit that he could not improve the girl’s appearance any more, only make it worse.
Then he let the cradle song fade to silence. His tongue felt thick and dry, his throat raw. He pushed himself off the cot and stood half crouched over it, too stiff to straighten up entirely.
In addition to the illumination from the werelight, a pale glow pervaded the tent, the same as when he had started. At first he was confused—surely the sun had already set!—but then he realized that the glow was coming from the east, not the west, and he understood. No wonder I’m so sore. I’ve been sitting here the whole night through!
And what about me? said Saphira. My bones ache as much as yours. Her admission surprised him; she rarely acknowledged her own discomfort, no matter how extreme. The fighting must have taken a greater toll on her than had first been apparent. As he reached that conclusion, and Saphira became aware of it, she withdrew from him slightly and said, Tired or not, I can still crush however many soldiers Galbatorix sends against us.
I know.
Returning the knitting to her bag, Gertrude stood and hobbled over to the cot. “Never did I think to see such a thing,” she said. “Least of all from you, Eragon Bromsson.” She peered at him inquiringly. “Brom was your father, wasn’t he?”