Home > The Fall of Koli (Rampart Trilogy #3)(112)

The Fall of Koli (Rampart Trilogy #3)(112)
Author: M. R. Carey


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if you enjoyed


THE FALL OF KOLI

look out for

THE WORLD GIVES WAY

by

Marissa Levien


In a world on the brink of collapse, a young woman born into servitude must seize her own freedom in this stunning literary sci-fi debut; perfect for fans of Station Eleven, Karen Thompson Walker, and Naomi Alderman.


In fifty years, Myrra will be free.


Until then, she’s a contract worker, trading indentured servitude for passage to a new world. Ever since she was five, her life and labor have belonged to the highest bidder on her contract—butchers, laundries, and now the powerful, secretive Carlyles.


But when one night finds the Carlyles dead, Myrra is suddenly free a lot sooner than she anticipated—and at a cost she never could have imagined. Burdened with the Carlyles’ orphaned daughter and the terrible secret they died to escape, she runs. There’s precious little time left, and even less so with rookie detective Tobias Bendel hot on her trail. A disaster bigger than either of them is looming on the horizon, and as the end draws closer, Myrra and Tobias must come face-to-face with the truth about their world—and embrace what’s left before it’s too late.

 

 

1


Myrra


Myrra smashed a roach with her bare hand as it crawled along the wall, then recited a small eulogy for the deceased in her head. Perpetual survivors, the roaches had managed to sneak a ride on this world to the next, even when every other bit of cargo had been bleached and catalogued over a century ago. Myrra admired their pluck, but Imogene would hate the sight of an insect, and where there was one there were always more. It was late, nearly three a.m. The roaches liked to explore at night, and Myrra’s room was close to the kitchen.

Myrra retrieved an old rag from her stock of cleaning supplies and wiped off her palm. Then she sat back down on her cot, a lumpy pillow propped behind her back, and resumed writing her letter.

It was strange to be writing with paper and pen, but since Imogene had found Myrra’s tablet last month, Myrra had needed to improvise with other methods of communication. What a row that had been. Myrra had been so careful hiding the tablet, taping it behind the mirror in her room. But there’d been a bad spate of earthquakes lately, and it had fallen out at an ill-timed moment when Imogene was inspecting the room. Marcus never bothered enough to care about that sort of thing, but Imogene was livid. She’d only grown tenser and madder and more controlling in the past year, and as she’d screamed at Myrra, she’d framed the tablet as the ultimate transgression. For her part, Myrra had tried her best not to show her contempt. She still winced thinking of the sound the tablet made when Imogene smashed it against the side of a table, the glass cracking, the screen going irreparably black. Just a thin, flat piece of silicon and metal, but it had been a door to the world for a while. And it had proved so useful when it came to Jake.

Jake had given her the tablet six months ago. She remembered him pressing it into her palm in the alley behind his father’s store. He was so happy to be helping the cause of the contract workers. His hands lingered against hers, and his forefinger stroked her wrist. Light, like a stolen kiss. That was when she knew she had a shot. They’d gotten good use out of that tablet.

Still, no point mourning something that was already gone. There was always another way through a problem. At least a pen was something easy to steal. Paper even easier. Marcus had boxes and boxes of the stuff, and he was terrible at keeping track of everything in his collections. He relied on Myrra for that.

What was important was that Jake liked writing this way. Paper was unique. Antique. Romantic.

Myrra inspected the red welt on her knuckle where the pen pressed against her finger. A pen was such an unfamiliar thing to hold. The first few letters she’d written to Jake had been disastrous to look at: violent slashes of ink darted across the paper, interrupting the shaky letters she tried to form. The pen spun out of her hand every time she thought she had a grip. Eventually she learned to hold it like chopsticks, and things improved from there. The lines of ink were still more jittery than she wanted; nothing compared to the smooth looping cursive she’d seen on some of Marcus’s antique letters and papers.

Myrra wrote with slow care, frequently checking her spelling in one of Marcus’s dictionaries. It was maddening, how long it took. And there was no backspace. Just an ugly scratch to black out the word if you got it wrong. Jake would want her simple, but just simple enough. Misspelled words and bad handwriting would send the wrong message.

Dear Jake. Start slow and familiar, not too mushy. Apologize for not writing sooner. Myrra decided to throw in as many sorrys as she could, to make him feel a little loftier. Tell him you miss him. Ask to see him. Don’t say why. Don’t say I love you, yet.

You have to tease these things out. Add spice to the sauce a little at a time, let it simmer. Patience. Do this right, and where might you be in a year? The first thing Myrra pictured was diamond earrings, long and dangling like exquisite icicles. Imogene had a pair like that. She’d worn them with her blue silk gown at the last state dinner. Myrra pictured a vast bed as wide as it was long with soft mussed sheets. She pictured gold around her finger.

That was Imogene’s world she was seeing. Jake was a grocer’s son. Myrra would get a gold ring, but not the diamonds. At least not right away.

In fifty years, Myrra would be free. The work contract her great-grandmother had signed would finally be fulfilled, and she was meant to be satisfied with that. Hard to imagine how it would feel, really, to be free. In fact, most other contract workers in her generation considered themselves lucky; her mother and her mother’s mother had not lived with that luxury. It was a frequent topic of conversation among her compatriots; everyone had different plans for what they’d do with their futures once their contracts ended. Most were unimaginative. Women she’d worked with in the laundry had talked about opening their own wash-and-fold service shops. Hahn, a boy she ran into now and then at the grocery store, was endlessly talking about the bar he’d open someday. He had it planned down to the prices of the drinks and the music on the stereo. Some who were employed as maids or handymen were planning on keeping the same positions with their host families; all they were looking forward to was a future where they got paid and had proper drinking money.

But Myrra refused to buy into this kind of talk—in fact she took pride in her dissatisfaction. A butcher she’d once worked for had told her that the good meat farms knew how to keep their animals fat and happy, trusting enough that they’d cheerfully trot toward the slaughterhouse. The law said that in fifty years she’d be free; well, in fifty years she would be dry and creaky with baggy skin and sagging breasts, looking like the old retired whores off Dell Street who still powdered rouge over their spotted faces. She’d have five good years, ten at most, before her body gave out. Five years after a long trudging lifetime of labor. What kind of life was that? She refused to wait and only get what she was given. Not when she was young and Jake was there for the taking.

She continued the letter for a few paragraphs more, keeping the anecdotes light and quick, asking plenty of questions in between. Jake liked it when she was inquisitive. She mentioned a particularly successful dinner party that Imogene had thrown for her political wives’ club. Imogene had been drunker than usual, and the result was that she forgot to critique Myrra on the details of the meal. It was a nice change—lately the household had felt tense, and Myrra wasn’t quite sure why. Both Imogene and Marcus would frequently sink into spells of silence; they’d snap at Myrra unpredictably for any old thing.

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