Home > Dark Matter(38)

Dark Matter(38)
Author: Blake Crouch

“It’s some part of me,” she says. “Or was.”

Gently, I reach down and lift her arm, turning it so I can see the watch. We’re forty-five seconds shy of the ninety-minute mark.

I say, “We have to go.”

I start down the corridor.

“Amanda, come on!”

When she catches up, I open a door.

Total darkness.

No sound, no smell. Just a void.

I slam it shut.

Trying not to panic, but I need to be opening more doors, giving us a shot at finding someplace to rest and reset.

I open the next door.

Ten feet away, standing in weeds in front of a teetering chain-link fence, a wolf glares at me through large amber eyes. Lowering its head, it growls.

As it starts toward me, I shove the door closed.

Amanda grabs hold of my hand.

We keep walking.

I should be opening more doors, but the truth is I’m terrified. I’ve lost faith we’ll find a world that’s safe.

I blink and we’re confined to a single box again.

The drug has worn off for one of us.

This time, she opens the door.

Snow streams into the box.

A shot of bitter cold hits my face.

Through a curtain of falling snow, I glimpse the silhouettes of trees nearby and houses in the distance.

“What do you think?” I ask.

“I think I don’t want to be in this box for another fucking second.”

Amanda steps down into the snow and sinks to her knees in the soft powder.

She immediately begins to shiver.

I feel the drug wink out for me, and this time the sensation is like an ice pick through my left eye.

Intense but fleeting.

I follow Amanda out of the box, and we head in the general direction of the neighborhood.

Beyond the initial layer of powder, I can feel myself continuing to sink—the weight of each step slowly breaking through a deeper, older crust of compacted snow.

I catch up with Amanda.

We trudge through a clearing toward a neighborhood, which seems to be slowly vanishing before my eyes.

While I’m marginally protected from the cold in my pair of jeans and hoodie, Amanda is suffering in her red skirt, black sweater, and flats.

I’ve lived most of my life in the Midwest, and I’ve never known cold like this. My ears and cheekbones are rocketing toward frostbite, and I’m already beginning to lose the fine-motor control in my hands.

A driving wind blasts us straight-on, and as the snow intensifies, the world ahead takes on the appearance of a furiously shaken snow globe.

We push on through the snow, moving as quickly as we can, but it’s getting deeper and nearly impossible to navigate with anything approaching efficiency.

Amanda’s cheeks have gone blue.

She’s violently shivering.

Her hair is matted with snow.

“We should go back,” I say through chattering teeth.

The wind has grown deafening.

Amanda looks at me, confused, then nods.

I glance back, but the box is gone.

My fear spikes.

The snow is blowing sideways, and the houses in the distance have vanished.

In every direction, it all looks the same.

Amanda’s head is nodding up and down, and I keep squeezing my hands into fists, trying to force warm blood through to my fingertips, but it’s a losing battle. My ring of thread is encrusted with ice.

My thought processes are beginning to spin out.

I’m shaking with cold.

We fucked up.

It isn’t just cold. It’s way-below-zero cold.

Lethally cold.

I have no idea how far we’ve come from the box.

Does it even matter anymore, when we’re functionally blind?

This cold will kill us in a matter of minutes.

Keep moving.

Amanda has a faraway look in her eyes, and I wonder if it’s the shock setting in.

Her bare legs are in direct contact with the snow.

“It hurts,” she says.

Bending down, I lift her in my arms and stagger into the storm, holding Amanda tightly against me as her entire body shakes.

We’re standing in a vortex of wind and snow and killing cold, and it all looks exactly the same. If I don’t stare down at my legs, the motion of it all induces vertigo.

It occurs to me: we’re going to die.

But I keep going.

One foot in front of the other, my face now on fire from the cold, my arms aching from holding Amanda, my feet in agony as the snow works down into my shoes.

Minutes pass and the snow falls harder and the cold keeps biting.

Amanda is mumbling, delirious.

I can’t keep doing this.

Can’t keep walking.

Can’t keep holding her.

Soon—so soon—I will have to stop. Will sit in the snow and hold this woman I barely know, and we will freeze to death together in this awful world that isn’t even ours.

I think about my family.

Think about not ever seeing them again, and I try to process what that means as my control over the fear finally slips—

There’s a house in front of us.

Or rather, the second story of a house, because its first floor has been completely buried in snow that’s drifted all the way up to a trio of dormer windows.

“Amanda.”

Her eyes are closed.

“Amanda!”

She opens them. Barely.

“Stay with me.”

I set her down in the snow against the roof, stumble toward the middle dormer, and put my foot through the window.

When I’ve kicked out all the sharpest jags of glass, I take hold of Amanda by her arms and pull her down into a child’s bedroom—a little girl’s, by the looks of it.

Stuffed animals.

A wooden dollhouse.

Princess paraphernalia.

A Barbie flashlight on the bedside table.

I drag Amanda far enough into the room that the snow pouring through the window can’t reach her. Then I grab the Barbie flashlight and move through the doorway into an upstairs hall.

I call out, “Hello?”

The house swallows my voice, gives nothing back.

All the bedrooms on the second floor stand empty. In most of them, the furniture has been removed.

Turning on the flashlight, I head down the staircase.

The batteries are low. The bulb emits a weak beam.

Moving off the stairs, I pass the front door into what used to be a dining room. Boards have been nailed across the window frames to support the glass against the pressure of the snow, which fills the frames entirely. An ax leans on the remnants of a dining-room table that’s been chopped down into burnable pieces of kindling.

I step through a doorway that opens into a smaller room.

The tepid light beam strikes a couch.

A pair of chairs almost completely stripped of their leather.

A television mounted above a fireplace overflowing with ashes.

A box of candles.

A stack of books.

Sleeping bags, blankets, and pillows have been spread across the floor in the vicinity of the fireplace, and there are people inside them.

A man.

A woman.

Two teenage boys.

A young girl.

Eyes closed.

Not moving.

Their faces blue and emaciated.

A framed photograph of the family at the Lincoln Park Conservatory, in a better time, rests on the woman’s chest, her blackened fingers still clutched around it.

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