“I know it sounds so fucking petty,” he told Jude after that party. He was embarrassed by how annoyed he was—he wouldn’t have admitted it to anyone else.
“It doesn’t sound petty at all,” Jude had said. They were driving back to the city from Red Hook. “But Arthur’s a jerk, Willem. He always has been. And years of studying Herodotus hasn’t made him any less of one.”
He smiled, reluctantly. “I don’t know,” he said. “Sometimes I feel there’s something so … so pointless about what I do.”
“How can you say that, Willem? You’re an amazing actor; you really are. And you—”
“Don’t say I bring joy to so many people.”
“Actually, I wasn’t going to say that. Your films aren’t really the sorts of things that bring joy to anyone.” (Willem had come to specialize in playing dark and complicated characters—often quietly violent, usually morally compromised—that inspired different degrees of sympathy. “Ragnarsson the Terrible,” Harold called him.)
“Except aliens, of course.”
“Right, except aliens. Although not even them—you kill them all in the end, don’t you? But Willem, I love watching them, and so do so many other people. That’s got to count for something, right? How many people get to say that, that they can actually remove someone from his daily life?” And when he didn’t answer: “You know, maybe we should stop going to these parties; they’re becoming unhealthy exercises in masochism and self-loathing for us both.” Jude turned to him and grinned. “At least you’re in the arts. I might as well be working for an arms dealer. Dorothy Wharton asked me tonight how it felt waking up each morning knowing I’d sacrificed yet another piece of my soul the day before.”
Finally, he laughed. “No, she didn’t.”
“Yes, she did. It was like having a conversation with Harold.”
“Yeah, if Harold was a white woman with dreadlocks.”
Jude smiled. “As I said, like having a conversation with Harold.”
But really, both of them knew why they kept attending these parties: because they had become one of the few opportunities the four of them had to be together, and at times they seemed to be their only opportunity to create memories the four of them could share, keeping their friendship alive by dropping bundles of kindling onto a barely smoldering black smudge of fire. It was their way of pretending everything was the same.
It also provided them an excuse to pretend that everything was fine with JB, when they all three knew that something wasn’t. Willem couldn’t quite identify what was wrong with him—JB could be, in his way, almost as evasive as Jude when it came to certain conversations—but he knew that JB was lonely, and unhappy, and uncertain, and that none of those sensations were familiar ones to him. He sensed that JB—who had so loved college, its structures and hierarchies and microsocieties that he had known how to navigate so well—was trying with every party to re-create the easy, thoughtless companionship they had once had, when their professional identities were still foggy to them and they were united by their aspirations instead of divided by their daily realities. So he organized these outings, and they all obediently followed as they had always done, giving him the small kindness of letting him be the leader, the one who decided for them, always.
He would have liked to have seen JB one-on-one, just the two of them, but these days, when he wasn’t with his college friends, JB ran with a different crowd, one consisting mostly of art world hangers-on, who seemed to be only interested in doing lots of drugs and then having dirty sex, and it simply wasn’t appealing to him. He was in New York less and less often—just eight months in the past three years—and when he was home, there were the twin and contradictory pressures to spend meaningful time with his friends and to do absolutely nothing at all.
Now, though, he kept moving toward Jude, who had at least been released by Marta and her grouchy friend and was talking to their friend Carolina (seeing this, he felt guilty anew, as he hadn’t talked to Carolina in months and he knew she was angry with him), when Francesca blocked his path to reintroduce him to a woman named Rachel with whom he had worked four years ago on a production of Cloud 9, for which she had been the assistant dramaturg. He was happy enough to see her again—he had liked her all those years ago; he had always thought she was pretty—but he knew, even as he was talking to her, that it would go no further than a conversation. After all, he hadn’t been exaggerating: he started filming in five weeks. Now was not the time to get ensnared in something new and complicated, and he didn’t really have the energy for a one-night hookup which, he knew, had a funny way of becoming as exhausting as something longer-term.
Ten minutes or so into his conversation with Rachel, his phone buzzed, and he apologized and checked the message from Jude: Leaving. Don’t want to interrupt your conversation with the future Mrs. Ragnarsson. See you at home.
“Shit,” he said, and then to Rachel, “Sorry.” Suddenly, the spell of the party ended, and he was desperate to leave. Their participation in these parties were a kind of theater that the four of them agreed to stage for themselves, but once one of the actors left the stage, there seemed little point in continuing. He said goodbye to Rachel, whose expression changed from perplexed to hostile once she realized he was truly leaving and she wasn’t being invited to leave with him, and then to a group of other people—Marta, Francesca, JB, Malcolm, Edie, Carolina—at least half of whom seemed deeply annoyed with him. It took him another thirty minutes to extricate himself from the apartment, and on his way downstairs, he texted Jude back, hopefully, You still here? Leaving now, and then, when he didn’t get a reply, Taking train. Picking something up at the apt—see you soon.
He took the L to Eighth Avenue and then walked the few blocks south to his apartment. Late October was his favorite time in the city, and he was always sad to miss it. He lived on the corner of Perry and West Fourth, in a third-floor unit whose windows were just level with the tops of the gingko trees; before he’d moved in, he’d had a vision that he would lie in bed late on the weekends and watch the tornado the yellow leaves made as they were shaken loose from their branches by the wind. But he never had.
He had no special feelings for the apartment, other than it was his and he had bought it, the first and biggest thing he had ever bought after paying off the last of his student loans. When he had begun looking, a year and a half ago, he had known only that he wanted to live downtown and that he needed a building with an elevator, so that Jude would be able to visit him.
“Isn’t that a little codependent?” his girlfriend at the time, Philippa, had asked him, teasing but also not teasing.
“Is it?” he had asked, understanding what she meant but pretending not to.
“Willem,” Philippa had said, laughing to conceal her irritation. “It is.”
He had shrugged, unoffended. “I can’t live somewhere he can’t come visit,” he said.
She sighed. “I know.”
He knew that Philippa had nothing against Jude; she liked him, and Jude liked her as well, and had even one day gently told Willem that he thought he should spend more time with Philippa when he was in town. When he and Philippa had begun dating—she was a costume designer, mostly for theater—she had been amused, charmed even, by his friendships. She had seen them, he knew, as proof of his loyalty, and dependability, and consistency. But as they continued dating, as they got older, something changed, and the amount of time he spent with JB and Malcolm and, especially, Jude became evidence instead of his fundamental immaturity, his unwillingness to leave behind the comfort of one life—the life with them—for the uncertainties of another, with her. She never asked him to abandon them completely—indeed, one of the things he had loved about her was how close she was to her own group of friends, and that the two of them could spend a night with their own people, in their own restaurants, having their own conversations, and then meet at its end, two distinct evenings ending as a single shared one—but she wanted, finally, a kind of surrender from him, a dedication to her and their relationship that superseded the others.