The heat of the flames fades. So does the crackle of burning wood, the hiss of her own skin. Even the pain fades, and she knows then that she is dying.
Juniper is the wild sister, the sly sister, never caught, always running, but she can’t run from this.
She hears singing as she dies, distant and familiar. A children’s rhyme she used to chant with her sisters on summer evenings when they were young and whole, when the world was soft and green and small, when they thought they could hold hands forever, unbroken.
Bella feels her sister dying but doesn’t believe it. How can Juniper die? Juniper who is so young and so bold, who seems twice as alive as everyone around her? And if she can die—if that’s truly her body burning on the pyre, her pain ringing loud in the line between them—then the world is a far crueler place than even Bella imagined, and she wants nothing more to do with it.
She knows precisely how the Last Three must have felt at the end of the age of witches, knowing that something fierce and beautiful was leaving the world, so desperate to preserve even some small piece of it that they let their bodies burn around them.
But not—Bella draws a sharp breath—their souls.
The Three stole Saint George’s victory from him at the last second. They bound their souls to a tower of words and disappeared into nowhere to wait, undying, for the next age of witches to begin. What is magic, anyway, if not a way when there is none?
Cleo has her arm tight around Bella’s shoulders, holding her steady. Bella breaks free and spins to face her. “The rose petal I gave you, the one I put around your finger—do you still have it?”
Cleo’s face says this is a very odd thing to ask while your sister burns and the city riots, but she reaches into her skirt pocket and produces the petal, even more crumpled and dry, but still whole. “Having second thoughts, love?”
“Never.” Bella cups the petal in her palm. Such a small, fragile thing on which to rest her sister’s soul. “Agnes!”
Agnes is swaying and pale, too tear-blinded to see the rose in Bella’s hand, too grief-struck to understand the eager intent in her eyes. Then Bella says the words, and hope rises like the sun in Agnes’s face.
They’re the words the three of them had sung as little girls, dancing beneath the fireflies. They’re the words the Three wrote to bind their souls to witchcraft itself, which have filtered down through the ages as a children’s rhyme, not quite forgotten.
Ring around the roses, pocket full of posies, ashes, ashes, we all rise up.
Cleo joins Bella’s chant, then Agnes. August comes next, his voice low and unsteady, and Strix and Pan high above them. More voices follow, too many to count, singing up from the crowd below—the Sisters of Avalon and the Daughters of Tituba, the Women’s Association and the workers’ unions, the maids and mill-girls, all the witches of New Salem who came when the Eastwoods called.
Together they call the magic and the magic answers, boiling through their veins. Bella waits until it crests like a wave in her chest before she curls her fist around the petal, crushing it. She tosses the remains into the night.
The sky does not split open. No black tower appears. But a sudden wind rises, sharp and green and rose-sweet. The wind tangles Bella’s skirts and whips the flames high. It hovers above the pyre, waiting.
Bella knows the precise moment Juniper dies.
The line that leads to her youngest sister goes slack; Agnes screams; the wolf’s howl goes abruptly quiet. Bella sees a pale shadow rise from the fire, like mist, before the witch-wind carries it away.
For a moment she thinks she hears voices calling, almost like three women welcoming a fourth, or maybe she merely hopes she does. The spell ends and the wind dies and a strange silence falls over the square, as if even the most foolish of them know something grave and grand has happened.
Bella feels her knees crack against the scaffold, then the sting of tears and the warmth of Cleo’s arms around her.
Bella is the wise sister, the bookish one, the knowing one, but she doesn’t know whether it was enough.
Agnes wants to climb into the fire and burn alongside her sister. She wants to scream until her throat is flayed raw from screaming, until the whole city has to stop and look and see what they have wrought. She wants to step into nowhere and call Juniper’s name.
But there are people swarming up the steps now. Some of the most devout Inquisitors and their followers have rallied and fought past August’s men. August rushes to meet them, iron bar whipping back and forth, but Agnes knows he can’t hold them for long. She looks down at Eve—awake now and frowning fiercely—then reaches for the rowan-wood branches and climbs to her feet.
She tries to think of nothing but the cool strength of the wood in her hand and the sharp scent of sap. Not the third bough she leaves lying on the scaffold, riderless. Not Juniper’s face when the Crone told them the spell for flight. Not the way she looked up at the sky as they were bound to the stake, sly and knowing, as if the moon was a long-lost lover she would soon meet again.
The scaffold blurs before her, fractured by tears. She stumbles to Bella, who leans half-collapsed in Cleo’s arms, and presses a branch into her hand.
“Come on, Bell. It’s time to go.”
Bella looks as if she, too, would like to lie down and let the flames wash over her, but she doesn’t. She stands slowly, as if she’s aged several decades, and offers her hand down to Cleo. She pulls her to her feet but does not release her hand. “You could still come with us.”
Cleo shakes her head once. “I’m needed here. The Daughters have work to do, and a chance to move in the open, without Hill.” But she touches Bella’s face, thumb brushing over her cheekbone. “I’ll come when I can.” Then she draws a stub of chalk from her pocket and marks a shape on the scaffold, singing a song. Cleo blurs around the edges, not quite invisible.
“Don’t keep me waiting, Miss Quinn,” Bella says, and the heat of it makes Agnes look away. Her eyes find August, forced to the top of the stairs now, iron bar still swinging. His mouth is red and swelling. A bright line of blood runs from a cut at his temple. He throws a wild look back to Agnes and she knows he intends to stand there until she is safely gone or until he can stand no longer. This last look is the closest they can come to goodbye.
Agnes reaches for Bella’s hand and whispers the words. Lady bird, lady bird, fly away home.
An airy, weightless feeling spreads from Agnes’s fingertips to her ribs, as if her blood has been replaced with rising mist.
She and her sister (she stumbles over the singular word, the absence of that soft s at the end) mount their rowan branches and feel their bare feet lift from the scaffold. They rise into the air like smoke. Or like witches, in the way-back days when they flew with clouds as their cloaks and stars in their eyes.
They follow the spirals of cinder and ash with their familiars winging alongside them, leaving behind the city that hates them and the people who love them and their sister who died for them. It’s only in Agnes’s head that she hears a small, wild girl begging her: Don’t leave me.
The air grows clean and cold as they fly higher, smokeless, moonlit. The world feels vast and boundless around Agnes, like a house with all its walls and windows thrown down, and she clutches her daughter tighter to her chest. She thinks she hears a muffled gurgle from the wrapped bundle, almost like a laugh.