“That’s just a story that sounded a little like yours,” she said. “There’s some others in there about historical cases. There’s a local one from the nineties where this movie guy was found in the trunk of his Rolls-Royce, which was parked on the hill above the Hollywood Bowl. And I even found a website called trunk murder dot com, but it’s still under construction.”
I nodded hesitantly.
“Uh, thanks. I’m not sure where all this might fit in but it’s good to be thorough, I guess.”
“Yeah, that’s what I was thinking.”
She pushed her chair back and picked up her empty cup.
“Well, okay, then. I’ll e-mail you a copy of today’s story as soon as I have it ready to send in.”
“You don’t have to do that. It’s your story now.”
“No, your name is going on it, too. You asked the questions that gave it good ol’ B and D.”
Breadth and depth. What the editors want. What the reputation of the Times was built on. Drilled into you from day one, when you came to the velvet coffin. Give your stories breadth and depth. Don’t just tell what happened. Tell what it means and how it fits into the life of the city and the reader.
“Okay, well, thanks,” I said. “Just let me know and I’ll give it a quick read.”
“You want to walk up together?”
“Uh, no, I’m going to get a coffee and maybe look through all this stuff you came up with.”
“Suit yourself.”
She gave me a pouty smile like I was missing something really good and then walked away. I watched her dump her coffee cup into a trash can and head out of the cafeteria. I wasn’t sure what was happening. I didn’t know if I was her partner or mentor, whether I was training her to take over or she already had. My instinct told me that I might only have eleven days left on the job but I would have to watch my back with her during every one of them.
After writing up a budget line and e-mailing it to Prendergast, and then signing off on Angela’s story for the print edition, I found an unoccupied pod in the far corner of the newsroom where I could concentrate on the Alonzo Winslow transcript and not be intruded on by phone calls, e-mail or other reporters. The transcript had my full attention now and as I read, I marked with yellow Post-its pages where there were significant quotes.
The reading went fast except in places where there was more than the back and forth of ping-pong dialogue. At one point the detectives scammed Winslow into a damaging admission and I had to read the passage twice to understand what they did. Grady apparently pulled out a tape measure. He explained to Winslow that they wanted to take a measurement of the line that ran from the tip of his thumb to the tip of his first index finger on each hand.
Winslow cooperated and then the detectives announced that the measurements matched to within a quarter inch the strangulation marks left on Denise Babbit’s neck. Winslow responded with a vigorous denial of involvement in the murder and then made a big mistake.
WINSLOW: Beside that, the bitch wasn’t even strangled with anybody’s hands. Motherfucker tied a plastic bag over her head.
WALKER: And how do you know that, Alonzo?
I could almost see Walker smiling when he asked it. Winslow had slipped up in a huge way.
WINSLOW: I don’t know, man. It must’ve been on TV or something. I heard it somewhere.
WALKER: No, son, you didn’t, because we never put that out. The only person who knew that was the person who killed her. Now, do you want to tell us about it while we can still help you, or do you want to play it dumb and go down hard for it?
WINSLOW: I’m telling you motherfuckers, I didn’t kill her like that.
GRADY: Then tell us what you did do to her.
WINSLOW: Nothing, man. Nothing!
The damage was done and the slide had begun. You don’t have to be an interrogator at Abu Ghraib to know that time never favors the suspect. Walker and Grady were patient, and as the minutes and hours ticked by, Alonzo Winslow’s will finally began to erode. It was too much to go up alone against two veteran cops who knew things about the case that he didn’t. By page 830 of the manuscript he began to crack.
WINSLOW: I want to go home. I want to see my moms. Please, let me go talk to her and I’ll come back tomorrow to be with you fellas.
WALKER: That’s not happening, Alonzo. We can’t let you go until we know the truth. If you want to finally start telling us the truth, then we can talk about getting you home to Moms.
WINSLOW: I didn’t do this shit. I never met that bitch.
GRADY: Then how did your fingerprints get all over that car, and how come you know how she was strangled?
WINSLOW: I don’t know. That can’t be true about my prints. You fuckers lying to me.
WALKER: Yeah, you think we’re lying because you wiped that car down real good, didn’t you? But you forgot something, Alonzo. You forgot the rearview mirror! Remember how you turned it to make sure nobody was following you? Yeah, that was it. That was the mistake that’s going to put you in a cell the rest of your life unless you own up to things and be a man and tell us what happened.
GRADY: Hey, we can understand. Pretty white girl like that. Maybe she mouthed off to you or maybe she wanted to trade, a little poon for a spoon. We know how it works. But something happened and she got killed. If you can tell us, then we can work with you, maybe even get you home to Moms.
WINSLOW: Nah, man, you got it all wrong.
WALKER: Alonzo, I’m tired of all your bullshit. I want to get home myself. We’ve been going at this for too long trying to help you out. I want to get home to my dinner. So you either come clean right now, son, or you’re going into a cell. I’ll call your moms and tell her you ain’t never coming back.
WINSLOW: Why you want to do this to me? I’m nobody, man. Why you setting me up for this shit?
GRADY: You set yourself up, kid, when you strangled the girl.
WINSLOW: I didn’t!
WALKER: Whatever. You can tell that to your moms through the glass when she comes visit you. Stand up. You’re going to a cell and I’m going home.
GRADY: He said, Stand up!
WINSLOW: Okay, okay. I’ll tell you. I’ll tell you what I know and then you let me go.
GRADY: You tell us what really happened.
WALKER: And then we talk about it. You got ten seconds and then this is over.
WINSLOW: Okay, okay, this is the shit. I was walking Fuckface and I saw her car over by the towers and when I look inside I saw the keys and I saw her purse just sitting there.
WALKER: Wait a minute. Who’s Fuckface?
WINSLOW: My dog.
WALKER: You have a dog? What kind of dog?
WINSLOW: Yeah, for like protection. She a pit.
WALKER: Is that a short-hair dog?
WINSLOW: Yeah, she short.
WALKER: I mean her fur. It’s not long hair.
WINSLOW: No, she short-hair, yeah.
WALKER: Okay, where was the girl?
WINSLOW: Nowhere, man. Like I told you, I never saw her—when she was alive, I mean.
WALKER: Uh-huh, so this is just a boy and his dog story, huh? Then what?
WINSLOW: So then I jump in the ride and take off.
WALKER: With the dog?
WINSLOW: Yeah, with my dog.
WALKER: Where did you go?
WINSLOW: Just for a ride, man. Get some fuckin’ air.