Home > The Last Resort(61)

The Last Resort(61)
Author: Susi Holliday

All because of that day, that summer, when she’d met George . . . Merryn. Damaged, abused and desperate for a friend. Amelia had shown her kindness, and Amelia had become the object of her misguided, desperate affections.

She opens the box.

Inside, there are a series of compartments containing small black cuboids, each with a name engraved on the top in white. She lifts out the first one, marked with her name – her real name, this time. It’s a memory stick. Of course it is. She runs a finger across all the others. Everyone from the plane, all the friends she made and lost today. Then there’s Harvey, and another five sticks with names she doesn’t recognise – clearly they are the staff, who’ve been trapped there on the island, hiding from whatever they’d done that was so bad they felt they had no choice.

In the middle of the box, in a separate compartment, is a small mobile phone. She lifts it out, and underneath finds a folded piece of paper. She unfolds it and starts to read.

My Dearest Anne,

I shall always call you this, as this is how I know you – in my heart. If you are reading this, then I’m deeply saddened to say that you’ve chosen Plan B. I’d so hoped you would choose me – Plan A. Plan ‘Anne’. But I suppose I can’t control your decisions. Not yet. Not ever, now – unless you allow the staff to continue with the programme.

I’m sure you’ve worked out what they are all doing there. If you care to know more about their memories, you can slot the sticks into the phone and it will project them for you. I warn you now, some of those memories are not pretty.

However, deep sins lead to deep loyalty – and in return for keeping them alive and out of prison, my staff were trained well and live in luxury – albeit on a small, isolated island. If you want to talk more, please call Harvey, and he will tell you everything that I can’t capture in this one short letter. There is one contact programmed into the phone. Call it and he will answer, whenever you are ready. Right now, he is soothing the staff, helping them through the shock. They are good people, despite their sins and flaws.

You can keep them. They will be loyal to you, as they have been to me. You can continue the research, and you can have everything you ever imagined, and more. But as you know, the only way for it to continue is secretly, as it is now.

Just as Father and the Fathers before him kept their own family to themselves, this is what you must do now.

But . . .

You probably didn’t expect a ‘but’, did you, my dear Anne?

There is another option.

Right now, the staff are busy dealing with what has happened today. They have their own instructions for this, and in time you will find out what these instructions are, and what the world will get to know about the tragedy of the ‘Lost Six’ and the host of the luxury party. Your name will never be mentioned. You are free to make your choice.

Your choice is simple. Take my place. Take my island. Continue my work.

Or . . . walk away. If you choose to walk away, you must do one last thing – for me, Anne. For my memory. Turn over the phone and press the red button on the back. As you guessed while on your way to the house, the caves lead to a network of tunnels. These were deliberately inaccessible to you and your group, due to the danger – but I wanted to show you just that one room. With a programme so secretive, it’s always nice to be able to show off just a little of what I can do. The trackers, the projections, the asking for what you want and getting it – I wanted you to feel like there was something worth knowing about, just out of reach.

If you press the red button, fifty tonnes of dynamite will blow the island sky high. It will cause a tsunami that will hit the other island – the one where we met, all those years ago. An unfortunate side effect, I’ll admit. I’d never want to cause such a tragedy. But once the water retreats, that island will be fine. Eventually. But Nirrik will be gone, and all of its secrets with it. Of course, it will still be up to you to destroy the memory sticks and the phone, but rest assured that once the hub is gone, the technology will no longer be accessible. I trust you to dispose of the contents of this box wisely.

So, my dear Anne – the choice is yours, and yours alone.

Choose well.

Your Loving Friend, your sister by blood, George.

Amelia closes the box and her eyes. She sits quietly, barely noticing the whine of the plane’s engine. She thinks back to the morning, when the pressure dropped and that lurch of turbulence had thrown everyone into a panic – and that turned out to be the least of their worries. But what’s done is done.

And she knows how to fix it.

The plane lands smoothly and the engine is turned off. Harvey comes through into the cabin and unlatches the door. He folds the steps out and slides them from the plane. Then he turns to Amelia, offers a hand to help her out of her seat.

She smiles. ‘I read the letter. I don’t think I was meant to read it on the plane. You’re meant to be back with the rest of the staff, helping them through this.’

‘I’ll be back there soon enough,’ he says. ‘Ready to go home?’

Amelia takes his hand. She leaves the box on the seat.

‘Wait,’ he says. ‘You need to take it . . . she left you instructions.’

Amelia shakes her head. ‘I’m in charge now. I’ll decide what happens next.’

He looks her in the eyes, and she sees his face flash with fear. ‘I understand. You don’t owe us anything. Not after what we’ve all put you—’

‘No.’ She cuts him off. Gives him a careful smile. ‘Here’s what you’re going to do. You’re going to fly the plane back. Then you’re going to get rid of the bodies. Take them out to sea. Dump them. Then sink the boat.’

He nods. ‘But—’

She raises a hand, then points at the box. ‘Take out the contents of the box. Smash all those memory sticks. Crush the phone. Rip the letter into a thousand pieces. Get everyone out of the big house. Then take all the candles from the centrepieces and move them as close as you can to the curtains. Let the place burn to the ground. Don’t fly back here. Go further – anywhere you can land safely – and tell everyone to disperse. You’ll need to sort out new lives for yourselves, but I’m sure you’re all resourceful enough for that.’

He stands staring at her, open-mouthed.

‘I’m setting you free, Harvey . . . and getting rid of that place the best way we can. I don’t want to risk an explosion. I couldn’t bear it if destroying that island led to any more deaths.’

‘We’ll need a cover story . . .’

‘I’ll deal with that.’ She walks past him and out of the plane, down the steps.

The airfield is in darkness, apart from the runway lights, sparkling like diamonds in the inky night. She doesn’t turn back. And after a moment, she hears the sound of the steps being retracted, the door closing.

She’s not sure how she’s going to get home from here. Her plan is to get to the main road and start walking. And whatever happens after that, she knows she’ll be able to handle it. Tomorrow, wherever she ends up, she’s going to call her parents – she needs to stay with them for a while. Get her head together and decide what to do next.

She’s been gone for too long.

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