Home > Cemetery Road(20)

Cemetery Road(20)
Author: Greg Iles

This was unquestionably true. But accepting it did nothing to alleviate our suffering. I’ll omit the awful, protracted descent into hell that followed this exchange. Suffice to say that by the time we divorced eleven months later, we were both emotionally scarred, and Molly had lost her job. I was nearly fired myself, and were it not for the benevolence of a sympathetic friend in management, I would have been out. Instead, they kept me on, and I slowly worked my way back to some semblance of normalcy, often taking risky assignments as a way of penetrating the emotional damper that grief wraps around us.

But it was the advent of the Trump circus in 2015 that not only resurrected my career, but lifted it to new heights. I became a regular on MSNBC and an occasional guest on CNN. This spurred me into a kind of mental overdrive. Using my most closely held sources in Washington and New York, I began researching Donald Trump’s financial ties to Russian oligarchs. At the same time, I started writing a book about how the Trump phenomenon had exposed the grim truth that the sins for which the South had always been excoriated—racism, tribalism, and xenophobia—were deeply embedded in the white body politic across the United States. I was halfway through my first draft when I discovered how ill my father truly was and decided to come home. The Trump-Russia story I had to leave to others. And I was less than fours hours south of Washington when I realized that all that work I had been doing—maintaining a pace that had shocked even my most intense colleagues—had but one purpose: to shield me from the pain of losing my little boy.

Nadine knows about Adam’s death. The facts, anyway, and what it did to my marriage. She understands that I’ve never fully dealt with his loss, any more than I’ve dealt with my brother’s. As regards healthy grieving, I’ve been stuck in a state of arrested anger for decades. The death of my son piled onto the death of my brother gave me a psychological burden—or perhaps a soul burden—that requires much of my fortitude to carry through each day. “My two Adams,” I sometimes call them. I’ve had countless nightmares about both tragedies, my brother’s more than my son’s, which may seem odd. But recently, it’s my little boy I see in the long watches of my restless nights.

I see him awakening confused, even scared, calling out for me or his mother, then getting to his feet and searching the darkened condo for us, his arms stretched out before him. Drawn by the light of the little plastic trapdoor, he somehow uses his ingenuity to get it open and then crawl through, after which he scrambles to his feet and wanders out to the undulating bright blue surface of the swimming pool. Perhaps Adam sees himself reflected in the water. Perhaps he leans over to see better, looks into his own eyes . . . and then tips over.

That dream is worse than the one in which I’m pursued by savage soldiers with guns and knives who want to hurt me so badly that I consider suicide rather than capture. I have lived through that situation in the real world. It pales next to the image of my son sinking through cerulean water with no comprehension of what’s happening to him. Did he surface? I’ve wondered a million times. Did he flail his little arms? Did he scream for help, sucking in chlorine? Or did he die in silence at the cold, airless bottom?

I’ve never asked an expert that question. I didn’t even google it. In the last analysis, I probably don’t really want to know. But maybe I’ll meet an expert someday. Maybe I’ll find the courage to ask. Because however hesitant I might be to face reality, I’m a human being, and that’s something we have to know sooner or later. Did our loved one suffer? And if so . . . how badly?

It took a long time for me to start seeing women after that. Eventually I did. The first couple of tries didn’t go very well. I found it difficult to be at ease with a woman once other people were removed from the equation. Then I met Eleanor Attie, a producer at one of the cable networks. Eleanor sensed that I carried some deep pain, but she never pushed me about it, and that made intimacy possible. We’d been dating for about four months when I realized I needed to return to Bienville. We kept in close touch at first, but after three weeks or so, our calls started getting further apart and our emails less frequent—weekly, almost perfunctory things. When you leave the small, hyperconnected family that is the Washington media circus, it’s like falling off the earth—at least to the people still working under the big top.

After all, it wasn’t like I was sending in weekly reports from Zabul Province in Afghanistan. I was in Mississippi, which from Washington looks like a fourth-world country. The newspaper I’d taken over focused mostly on local matters, except for the occasional blistering screed against the depredations of Trump and his cronies, authored by my father. But it’s been two months since Dad printed one of those. Mortality is having its way with him. His diminished editorial output has cut into the profits of our local glazier, who was making good money replacing the plate-glass windows on the ground floor of our downtown office. Before Dad slowed his pace, not even security cameras stopped the angry Trump supporter who simply wore a mask as he marched up to the windows with brick in hand to make his feelings known.

As I reach the head of Port Road, which leads down the bluff to the industrial park, the sun flashes off a large gathering of cars about a mile away. This confuses me for a few seconds, because it looks more than anything like cars gathered for a sporting event. Then I realize this crowd must have assembled for the groundbreaking. As the Flex coasts down the steep bluff road, I start to make out tents set up on the actual paper mill site, where Buck found his artifacts. Several large groups of people are moving around the tents, and as I reach the level ground of the industrial park, logos on those tents become legible.

One belongs to the casino and reads sun king resort in gold letters. A larger tent reads azure dragon paper, which is the parent company of the mill that will be built here. The mill will operate under the name PulpCore, Inc., but Azure Dragon will own it. Off to the right, Claude Buckman’s Bienville Southern Bank has two tents set up side by side, but the grandest tent of all reads prime shot premium hunting gear. These logos tell me that the men who truly run this city are out in force today. And why not? All their years of machinations have brought them to this moment. The town took a serious hit in the ’90s, and another after 2008, but unlike the other river towns, Bienville has come through the recession strong enough to not only maintain its population, but also to expand its tax base. The twelve members of the Bienville Poker Club stand on the threshold of a billion-dollar payoff. Bigger, really, when you add in the ancillary elements of the deal. A new interstate highway that will run from El Paso, Texas, to Augusta, Georgia, passing over the new Bienville bridge as it carries Azure Dragon paper pulp to market. Weighed against all this, one archaeologist’s life wouldn’t have counted for much.

“Marshall McEwan!” cries a male voice as I get out of the Flex.

I turn to find New Jersey émigré Tommy Russo hurrying along the road in a close-fitting tailored suit. The owner of the Sun King Casino is walking in the direction of the tents. I figured Russo would have been here an hour ago, working the governor and the secretary of commerce. The only non-native-born member of the Poker Club, Tommy Russo plans to bring in a second casino as soon as I-14 becomes a reality. Bienville has a long gambling history, dating back to the Lower’ville saloons and a nineteenth-century horse track on the river. But Tommy has updated the old riverboat gambler stereotype and brought The Sopranos to Bienville. He’s quick to smile, but you sense menace just behind his eyes. He’s like a friendly snake with his fangs folded out of sight.

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