‘What’s your father’s name?’ he asks, covering the mouthpiece as the line rings in his ear.
‘Elmer,’ Soledad says. ‘Ask for Elmer Abarca Lobo in the main kitchen.’
So Luca does, but as he prepares to immediately hand the phone over to Soledad, the receptionist says, ‘I’m sorry, but Elmer isn’t working today. Hold on.’
Luca hears the sound of her voice, muffled for a moment before she returns to speaking clearly.
‘Can I ask who’s calling?’ she says.
‘I’m here with his daughters. I was just putting in the call for them.’
‘I see,’ she says.
‘Hold on, I’ll put Soledad on,’ Luca says.
He hands the phone to Soledad, who takes his seat, her face brightening in nervous anticipation. She hopes Papi won’t be angry with them. She hopes he’ll understand why they had to leave the way they did, without warning, without a proper goodbye. She’s been haunted, these last weeks, by the thought of him coming home alone to the dark apartment, exhausted from a double shift, and finding her note. She’s tried not to think about the anguish it might’ve caused him. She bites her lip.
‘Hello?’ she says.
‘Hello,’ a woman’s voice on the line – still the receptionist. ‘You’re calling for Elmer? Is this Elmer’s daughter?’
‘Yes, it’s Soledad. Is he there? May we speak with him?’
‘I’m afraid Elmer’s not working right now, Soledad.’
Soledad’s shoulders slump, and she leans back in the chair. ‘Okay,’ she says. ‘Can we leave a message for him? It’s an important message and I don’t know when we’ll have an opportunity to use a telephone again. I’m here with my sister, Rebeca, and we want to tell him we’re okay.’
‘Soledad,’ the woman says.
Just that, just her name. Soledad. But something about the hesitation in those three syllables makes Soledad’s stomach drop. She straightens up in the chair.
‘I’m sorry, but your father won’t be back to work for quite some time.’
Soledad grabs the edge of the desk, and turns her back to her sister. Luca reaches for the doorknob, but Soledad puts a hand on his shoulder. Her mouth is open, but she refuses to ask the questions that will lead to her enlightenment. She doesn’t want to know.
‘I’m sorry, Soledad, but your father had an accident. Not an accident. Your father, he – he’s in the hospital.’
Soledad clamps her knees together and stands up, sending the chair rolling away behind her. ‘Why? What happened?’
Rebeca stands up then, too, and Luca moves next to her.
‘Is he okay?’ Soledad asks.
The woman’s voice is low. ‘I think he’s stable, that was the last we heard.’
Soledad takes one breath. Stable. ‘But what happened?’
‘He was attacked coming into work last week.’
She moves to collapse into the chair again, but the chair is no longer behind her, and she almost falls to the floor. Luca grabs the chair and rolls it over. She sits.
‘He was stabbed,’ the woman is saying. ‘I’m so sorry.’
‘Which hospital?’
‘El Nacional. I’m sorry, Soledad.’
Soledad hangs up the phone, and it takes Luca less than one minute to find the number for the Hospital Nacional in San Pedro Sula. Again, he dials for them, but this time he hits the speakerphone button so they can all hear. And 1,360 miles away, in the ICU unit in a six-story green-and-blue building, a nurse wearing clean white scrubs and a blue stethoscope darts into the nurses’ station and tosses a chart onto the cluttered desk. Luca, Rebeca, and Soledad all hear her pick up the phone. They lean forward.
‘I think my father is there,’ Soledad says. Her voice sounds swollen and cobwebby in her ears. ‘My father, Elmer Abarca Lobo. The woman at his work told us he was there since last week?’
They can hear things clicking and beeping in the background. Voices. A child crying. The nurse does not immediately reply.
‘Hello?’ Rebeca says.
‘I’m looking,’ the nurse replies. There are folders, charts. She’s flipping through them.
Soledad’s hand darts over and grabs her sister’s across the desk. Together, their knuckles turn hard and shiny.
‘A woman at his work told us he was stabbed.’
‘Oh,’ as if the nurse suddenly remembers. ‘Yes, Elmer,’ she says. ‘He’s here. Not in great shape, I’m afraid, but he’s stable now. He lost a lot of blood.’
Rebeca clamps her free hand over her mouth. Soledad digs her fingers into the skin of her face, her lower jaw. ‘Can we speak with him?’
‘No, he’s not conscious,’ the nurse says. ‘Can you come in?’
Rebeca shakes her head, but Soledad answers out loud. ‘We’re not in Honduras,’ she explains. ‘We’re in Mexico.’
Rebeca is stuck on a different detail. ‘What do you mean he’s not conscious? What does that mean?’
‘It means we have him sleeping right now because of the damage to his brain. He needs to sleep until the swelling and trauma are under control.’
Soledad pitches forward, curling her body over her knees.
‘Damage to his brain?’ Rebeca says. ‘I don’t understand.’
‘Yes,’ the nurse says. ‘He was stabbed in the face.’
‘Oh my God.’ Both girls begin to cry.
Luca is shifting his weight ever more rapidly from foot to foot. He backs away from the phone until he’s leaning against the wall beside the door.
‘He was stabbed once in the stomach and twice in the face.’ The nurse keeps talking. She’s not oblivious to the sisters’ pain, but she knows she has to impart this information, and it’s better to do it quickly, like ripping off a Band-Aid, so they can move on to the next part, where they already know all the awful information and can begin to process it. ‘The stab wound that did the most damage was to the right-hand side of his infraorbital region—’
‘Infraorbital? What is that?’ asks Soledad. ‘Please speak simply.’
Even the most hardened trauma nurse in the most violent city in the world would have difficulty conveying this detail to the family.
‘His eye,’ she explains.
‘They stabbed him in the eye?’ Soledad asks.