They created some weird bond that year—some strange connection I never really understood. Dad has always had a soft spot for the boy next door.
But he wouldn’t. Not if he knew that I broke down the night we found out that Dad had cancer and that I was so distraught, so hopeless, that I texted Coy.
I’ve re-read that text so many times that I have it memorized.
Dad has cancer. It’s bad. Really bad. And I don’t think I’m going to make it, Coy. I’m terrified. You told me on the Fourth of July that you would always be here for me. I need you. Please call me.
Unfortunately for me, there was no return text or call to commit to memory. Coy responded a couple of weeks later like he forgot to answer and felt bad about it.
No, thank you.
“I hope I’m around when the two of you stop this bickering nonsense,” Dad says. “I can’t imagine the laughs the two of you will have together instead of at each other.”
I get to my feet. His words send a chill down my spine that I have a hard time shaking off.
“Will you tell him to come by and see your old man when you see him next?” he asks.
“I don’t plan on seeing him again. But if I run into him somewhere, I’ll be sure to …” I look at him. “Nope. Not gonna lie to you. I won’t be asking him to come here. I don’t want him to poison our auras.”
Dad snorts. “Give that boy a break.”
“I will do no such thing. And you can forget the pears now,” I say, winking at him as I slip on my shoes and then head for the door.
His laughter follows me through the kitchen and down the hallway. I slide out the side door.
The Mason house, my favorite place in all of Savannah, towers over me from the other side of the fence. I study it as I walk down the sidewalk and toward the back of the property.
It’s unique for such a large house. Instead of feeling stately or putting off an untouchable vibe, it feels like home. It’s warm and welcoming. It’s been my respite, my safe place away from the storm of my life, more times than I can count.
When I couldn’t stand my house after Mom died, I went to the Mason’s. When I needed advice as a teenager, I went to Siggy. Even now, when I need anything, I go there, and Siggy is more than wonderful to me. She makes me feel at home.
But when Coy is home, I’m reminded that I don’t really belong there. They’re not my family.
I enter the guesthouse that I moved into a few years ago after Dad’s diagnosis. I loved my little apartment downtown with a terrific view of my favorite shopping district. I left a job in a dentist’s office that wasn’t going anywhere long term, but I did love it. It was the perfect job for me to find my footing in life. But this is where I was needed, so this is where I am.
The John Deere green tile that Larissa and I hung last summer in the kitchen makes me smile. A couple of them are barely hanging on. One is cracked. Overall, it wasn’t too bad of a job for two novices who had a little too much wine and a lot too much self-confidence.
I make a quick cup of tea and then sit at the table. It’s banged up and cracked and has definitely seen better days. But that’s also why I love it. It’s imperfectly perfect, and a total swap meet steal. I often wish it could tell stories of the meals that have taken place on it. God knows I tell it mine.
I drag my finger along an extended cut down the center of the table, spotting a few missed flecks of glitter from this afternoon, and think about the stories it would tell about me.
There would be tales of dancing, recounts of sexual encounters, and lots of spilled wine with Larissa. Conversations about children’s book characters and pianos with Bree. Tons of nachos. Nights of whiskey and stupid comedy movies with Boone.
And there would be quiet tears when I missed my mother, wishing more than anything that I’d had her for longer than ten years. And more recently, louder sobs as I fear losing my father.
Of being totally alone.
Of being twenty-four years old and knowing that I have my whole life ahead of me without either of them.
Of having no one in the entire world that will be there for me unequivocally.
Those moments are the worst. The coldest. When I feel so exposed.
The table could recant the depths of my fears—fears I hide from everyone. It knows how scared I am of being alone, how I loathe feeling so ill-equipped to deal with my life. And how I hate being exposed to anything that might cause me more problems. Or pain.
One thing is also true: your life can’t be destroyed if you don’t allow people access.
Having my heart broken by Coy Mason made me realize that I went against my better judgment and asked him for help. He didn’t deny me. He didn’t even bother to respond when it mattered.
I will never allow someone that access to me again.
I shiver.
“That’s enough feelings for one day,” I say, standing. I find my phone next to the toaster.
Me: Hey, Riss. Wanna get dinner and, by dinner, I mean wine?
Larissa: Meet you at Paddy’s in an hour?
I glance at the Mason’s house through my kitchen window.
Me: Perfect. See you there.
Five
Coy
I sling the trash into the container and slam the lid shut.
My thumb swipes over my phone screen as I read the latest headlines.
Heartbroken Willa Welch Gets Tea in Hollywood
Willa and Coy—The Real Truth He Doesn’t Want You to Know
Insider Claims Willa Welch ‘Didn’t See BreakUp Coming’
The more I read, the more I want to scream. It’s all a bunch of horseshit. How anyone believes this crap is beyond me. But people do, and here I sit, unable to defend myself.
I’m about to click on a sports update to try to save my sanity when my text alert pings.
Meadow: Contract update. Call me when you can.
I groan into the early evening air. My irritation level is so high that I consider not calling her. But I know my curiosity about the contract will keep me up all night, so I break down and find her name.
“That was fast,” she says after the first ring.
“You said to call when I can. It’s not like I have a lot going on these days.”
“Touché. How are things in Georgia?”
I glance at the trash can. “They’re great. What’s up?”
“We ran into a bit of a snag today with the contract negotiations with your label.”
What?
“Define snag, Meadow,” I say. “We’ve gone over this, and you know the main thing I won't budge on is to have more leeway to create the kind of music I want and not just their definition of country.”
Frustrated, I rattle off a few more things we agreed to—like two more albums for a two-year term, their option to renew—but the longer I regurgitate what Meadow already knows, the angrier I get.
Why isn’t this moving forward?
Meadow sighs. “We agreed to all of that—in theory. Nothing was ever signed. We were supposed to do that next week, as you know, but—”
“Meadow, what the hell is going on?”
I switch the phone between my hands.
“The label wants assurances that you’ll be less of a liability and more cooperative going forward,” she says in her matter-of-fact tone.