Home > Four Hundred Souls(33)

Four Hundred Souls(33)
Author: Ibram X. Kendi

       Last summer I visited the place in Stockbridge, Massachusetts, where Elizabeth “Mumbet” Freeman was laid to rest in 1829. My trip was a pilgrimage in honor of a woman who changed the fates of Black Americans in Massachusetts. Her story is also a starting point for the long saga of how Black Americans have wrestled with constitutions. Freeman’s story is but one in countless efforts by people of African descent to bend the aspirations set to paper by free, white, propertied men to their own ends.

   I came to Stockbridge to honor this too-often-overlooked figure in U.S. constitutional history. There she is not forgotten. Still, buried in Theodore Sedgwick’s family plot, Freeman is not honored as a figure of consequence in the epic battle for freedom over slavery in Massachusetts. Instead, her headstone is a tribute to her labor for Sedgwick’s family in the years after winning her freedom. Her prominently sited marker tells of a loyal servant who had no equal “in her sphere,” was trustworthy, dutiful, and efficient in the domestic realm, and was a tender friend and “good mother” to the white Sedgwicks.

   It is another lesson in the politics of monuments. Freeman’s burial site remains an incomplete and misleading monument to her life.

 

 

NOT WITHOUT SOME INSTANCES OF UNCOMMON CRUELTY


   Justin Phillip Reed

 

 

        Patrick Henry, addressing the Second

    Virginia Convention, 1775, thrice mentioned

    “chains,” “slavery,” “submission,” the myth,

    in transcription, refraining his Homeric

    homoteleuton of royal blues—“We have

    petitioned,” “remonstrated,” “supplicated,”

    “prostrated,” and “implored”—all before

    demanding God deliver death or liberty.

    That year in Virginia existed so many actual

    slaves that Henry’s echoes could have been

    nine Negroes opportunely plotting in open

    air, his shadow daring daydreams of out-

    running streams of liquid sterling under

    evening’s seasickness of starlight and silence.

    When Southern night shuffles the black

    capacities of bull rustle, bark knots, clots

    of nettle, I know insurrection is an act

    of intellect. If not the slave’s will to kill

    to live free, what animates humanity’s

    heat for reason? Let me never fix my face

    to say Wheatley’s mistress mistreated her

         with literacy. (I have also exalted Christ

    until salvation and survival were two

    tines of the same fork, and eaten.) It’s just

    this abolitionist’s education takes me

    at times for a fool, uses my gifts against me,

    enters at ease assuming that because I enjoy

    the music I haven’t stashed the duller strings

    and meanwhile practiced strangulation.

    Not all rebels yell. Not all run. Not all

    of Carolina is a complacent swamp.

    This is a gator road. This, the Isle of Wait.

    My people stay places eponymous for

    plantations, patriots—Marion, Sumter,

    many Greene streets. They stay like

    depressions in plaster walls or knives

    in their never-owned tapestries war routes

    gallantly streak. Militia-secreted creeks

    taper to tap hiss in pots where rice still

    whitens and rises. Remembering’s expensive

    if you can’t afford to know what is owed.

    My people’s self-retention inside this theft

    is investment—enviable, thick-leggedness

    of shall-not-be-movement. They don’t move

    easily from home (again) or (back) to tears.

    No one has liberated my mouth except

    to give me more elaborate things to do

    with these teeth. Assume I mean nothing

    by it, that the overwrought rhyme lucy-

    terries mastery as a matter of fact, a draught

    to steal them off to sleep, a loose leaf,

    a draft on the way to someday seal them

    up in it. They still have their guns, still

         go to separate church. No, sir, this poem

    torched none of the houses on the road,

    merely wrote: Here was a row of angels,

    molting, folded—stars, aligned—and the reddest

    gullet of God hollered their ankles to powder.

 

 

1779–1784


   SAVANNAH, GEORGIA


   Daina Ramey Berry

 

 

Nestled along the Atlantic coastline, paralleled by the Savannah River, the city of Savannah is the oldest urban center in the Peach State. Established in 1733 by King George II’s 1732 charter, the colony was an experiment to provide British debtors and war criminals a second chance at life in the New World. Thus 114 colonists set sail across the Atlantic on the Anne, arriving in February 1733. They “were expected to become farmers and citizen-soldiers on a hostile and desolate frontier,” and they worked hard to create amicable relations with the Yamacraw Indians.

   Between 1779 and 1784, Savannah residents experienced changes in the economy, in the population, and in social and religious institutions. They witnessed the importation of enslaved people from various regions of West Africa, the growth of religious public worship through the Second Great Awakening, and severe losses during the American Revolution’s Siege of Savannah.

   Savannah had been planned by William Bull of South Carolina and James Oglethorpe, the British leader sent to establish the colony, and it included a series of squares, wards, and trust lots. Planners intended to create a city that would resemble London. Each ward was “built around central squares with trust lots on the east and west sides of the squares for public buildings and churches, and tything lots for the settlers’ homes on the north and south sides of the squares.”

   With so many enslaved people residing in those wards, in many ways Savannah was nothing like London. There is not a singular way to think about the lives of people of African descent in Savannah, especially between 1779 and 1784. Many and varied factors and circumstances were in play, including the tremendous restrictions of slavery, the freedom some experienced as a result of war, and the spiritual expression realized through religious conversions.

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