We’ve talked to Imogen many times over the last few weeks. We’ve discussed the language she uses, especially around Tate; the need for a curfew; more. Though talking at would be a more fitting term than talking to because it isn’t a conversation we have. It’s a lecture. She stands while Will or I speak. She listens, maybe. She rarely replies. She takes nothing to heart and then she leaves.
Will’s voice is quiet when he speaks. “We don’t know for certain that she left this here,” he says softly, floating an idea by me, one I’d rather not consider. “Isn’t it possible,” Will asks, “that someone left that message for Otto?”
“You think someone left a death threat on my window for our fourteen-year-old child?” I ask, in case Will has somehow misconstrued the meaning of that word Die.
“It’s possible, isn’t it?” he asks, and though I know that it is, I tell him, “No.” I say it with more conviction in my voice than I feel, because I don’t want to believe it. “Not again,” I insist. “We left all that behind when we moved.”
But did we? It isn’t entirely outside the realm of possibility that someone is being mean to Otto. That someone’s bullying him. It’s happened before. It can happen again.
I say to Will, “Maybe we should call the police.”
But Will shakes his head. “Not until we know who did this. If it’s Imogen, is that really a reason to involve the police? She’s just an angry girl, Sadie. She’s grieving, lashing out. She’d never do anything to hurt any of us.”
“Wouldn’t she?” I ask, far less sure than Will. Imogen has become another point of contention in our marriage. She and Will are related by blood; there’s a connection there that I don’t have.
When Will doesn’t reply, I go on, arguing, “No matter who the intended recipient, Will, it’s still a death threat. That’s a very serious thing.”
“I know, I know,” he says, glancing over his shoulder to be sure Otto isn’t on his way out. He speaks quickly, says, “But if we get the police involved, Sadie, it will draw attention to Otto. Unwanted attention. The kids will look at him differently, if they don’t already. He won’t stand a chance. Let me call the school first. Speak to his teacher, the principal, make sure Otto isn’t having trouble with anyone. I know you’re worried,” he says, voice softening as he reaches out, runs a comforting hand along my arm. “I’m worried, too,” he says. “But can we do that first,” he asks, “before calling the police? And can I at least have a conversation with Imogen before we just assume this was her?”
This is Will. Always the voice of reason in our marriage.
“Fine,” I tell him, relenting, admitting that he might be right. I hate to think of Otto as an outcast in a new school, of him being bullied like this.
But I also can’t stand to consider the animosity Imogen has toward us. We have to get to the bottom of this without making things worse. “But if it happens again, if anything like this happens again,” I say, pulling my hand from my bag, “we go to the police.”
“Deal,” Will agrees, and he kisses me on the forehead. “We’ll get this taken care of,” he says, “before it has a chance to go too far.”
“Do you promise?” I ask, wishing Will could snap his fingers and make everything better, just like that.
“I promise,” he says as I watch him skip back up the stairs and inside the house, disappearing behind the door. I scribble my hand through the letters. I wipe my hands on the thighs of my pants before letting myself into the cold car. I start the engine and blast the defrost, watching as it takes the last traces of the message away, though it’ll stay with me all day.
The minutes on the car’s dash pass by, two and then three. I stare at the front door, waiting for it to open back up, for Otto to appear this time, slogging to the car with an unreadable expression on his face that gives no indication of what’s going on inside his mind. Because that’s the only face he makes these days.
They say that parents should know these things—what our kids are thinking—but we don’t. Not always. We can never really know what anyone else is thinking.
And yet when children make poor choices, parents are the first to be blamed.
How didn’t they know? critics often ask. How did they overlook the warning signs?
Why weren’t they paying attention to what their kids were doing?—which is a favorite of mine because it implies we weren’t.
But I was.
Before, Otto was quiet and introverted. He liked to draw, cartoons mostly, with a fondness for anime, the hip characters with their wild hair and their larger-than-life eyes. He named them, the images in his sketch pad—and had a dream to one day create his own graphic novel based on the adventures of Asa and Ken.
Before, Otto had only a couple of friends—exactly two—but those that he had called me ma’am. When they came for dinner, they brought their dishes to the kitchen sink. They left their shoes by the front door. Otto’s friends were kind. They were polite.
Otto did well in school. He wasn’t a straight A student, but average was good enough for him and Will and me. His grades fell in the B/C range. He did his homework and turned it in on time. He never slept through class. His teachers liked him, and only ever had one complaint: they’d like to see Otto participate more.
I didn’t overlook the warning signs because there were none to overlook.
I stare at the house now, waiting for Otto to come. After four minutes, my eyes give up on the front door. As they do, something out the car window catches my eye. Mr. Nilsson pushing Mrs. Nilsson in her wheelchair, down the street. The slope is steep; it takes great effort to hang on to the rubbery handles of the wheelchair. He walks slowly, more on the heels of his feet, as if they are car brakes and he’s riding the brakes all the way down the street.
Not yet seven twenty in the morning, and they’re both completely done up, him in twill slacks and a sweater, her in some sort of knit set where everything is a light pink. Her hair is curled, tightly woven and set with spray, and I think of him, scrupulously wrapping each lock of hair around a roller and securing the pin. Poppy is her name, I think. His might be Charles. Or George.
Right before our home, Mr. Nilsson makes a diagonal turn, going to the opposite side of the street from ours.
As he does, his eyes remain on the rear of my car where the exhaust comes out in clouds.
All at once the sound of last night’s siren returns to me, the waning bellow of it as it passed by our home and disappeared somewhere down the street.
A dull pain forms in the pit of my stomach, but I don’t know why.
SADIE