Home > Mall You Need is Love (At The Mall)(15)

Mall You Need is Love (At The Mall)(15)
Author: Sarah Robinson

 

 

booksbysarahrobinson.com/books/nudes/

 

 

Prologue

 

 

Aria woke with a jolt, looking around the dark bedroom. As her senses slowly began to adjust, she looked for the source of whatever had disturbed her. Her cell phone vibrated against the surface of her nightstand, the screen lit so brightly it cast a square light onto the ceiling above.

Yawning, Aria grabbed for it. She glanced over at the man in bed next to her, her heart filling with warmth at the sight of his sleeping form.

Finally focusing on her phone, she realized she had dozens of missed texts, calls, and emails.

"What the hell?" she whispered to herself, sitting up.

Aria, are you awake? WAKE UP NOW.

Don't look at the news. We need to talk. 911.

Is that you on E! News? Did you allow that?

OMG, ARIA! WHAT THE HELL?

What did you do?!?! This is career suicide!

Her heart began to race, panic swarming her every cell as she quickly clicked out on a website link her best friend sent her. A photo popped up, and then another, and another, and another, and Aria knew exactly what she was looking at.

Herself.

Nude.

Aria could barely breathe, trembling as she searched social media and entertainment news sites. The photos were everywhere. She was everywhere. Her breasts, her body, her love life on full display for the world to see.

It would have been bad enough if they'd just been images of her posing, but these were pornographic. These were her in her most intimate moments with a man she'd...

A sob stuck in her throat. Did he do this?

She looked at the man still sleeping beside her, fear gripping her heart.

This couldn't be happening.

 

 

Chapter One

 

 

Two Months Later

 

 

"Wait until you meet our lead." The heavyset producer's eyes glinted with excitement as he spoke. He brought a sandwich up to his lips, taking a bite and continuing around a mouthful of food. "She's only had small roles up until this film, but she's up-and-coming. No doubt about it. Aria Rose is poised to take the world by storm come Oscar season."

Ben didn't reply, too distracted watching the producer trying to wipe a blob of mayonnaise off his tie. Arthur Atwood was a large man with a messy comb-over and an ill-fitting suit, which must have been a deliberate choice since Ben knew Arthur made a handsome salary.

Is he licking his tie?

His new right-hand man was actually licking mayonnaise off his tie. Not a good sign. Ben made a mental note never to ask Arthur to have a meeting over lunch at his desk again.

"Bugger, it's in there good," Arthur muttered in his thick English accent, dropping his tie and slapping his hands on his knees. "All right. Enough of that. Ready for a tour of the studio?"

"Very," Ben replied, balling up the parchment paper his own sandwich had been wrapped in and tossing it into the wastebasket beneath his desk. He stood, rolling his shoulders and stretching his neck from side to side.

They'd spent the morning touring the corporate offices on the lot of Shepherd Film Studios where Ben would be officially starting in two weeks as the company's new chief executive officer. He had agreed to come in on Friday to tour everything and meet the crew on their final day of filming—but the pressure was already on.

One of the oldest movie production companies in Hollywood, Shepherd Film Studios was well respected, but struggled to adapt to new changes in the industry—the rise of streaming services, quicker distribution on the internet, and other changes that appealed to younger generations.

Maguire Industries had recently purchased the studio and placed Ben in charge to fix that. He had one year to prove to the board at Maguire that he could turn Shepherd Films back into a thriving production company or they'd dismantle the company and sell it off for profit.

He was Shepherd Films last resort, and thank goodness, too. No one else in Hollywood was desperate enough to throw him a lifeline. Being an embarrassing public spectacle for the last two years had been by far one of the biggest setbacks in his professional life to date—and his personal life was to blame.

Fucking divorce.

"Have you seen any of her movies?" Arthur held the door to the office open for him, and together they headed down the hallways of the main offices. "She's a bombshell—literally one of the most gorgeous women I've ever seen."

"Aria Rose?" Ben replied, racking his brain for a mental image of the actress. "I've seen a few. Very pretty. She's very talented but never been a lead."

"Scarlet's Letters is her first starring role, and she's perfect for it. We can watch the dailies from today's filming, and you'll see what I mean. We were really lucky to score her for this film."

Ben had wondered about that, too. Aria wasn't necessarily A-list, but she was an up-and-coming fan favorite among millennial and younger generations. Her social media attention was nonstop, and there was an almost cult following to her that had made Hollywood execs begin to take notice. Yet, he'd seen the budget this morning. She was being vastly underpaid for this film, and he wasn't sure why.

They passed the guards at the front desk of the main offices and stepped out into the sun. "How did your team manage to sign her?" Ben asked.

"Sheer luck, I'd gather. She was following the script around—or so I heard. Determined to be part of it, though I can't say why exactly. The script is great—historical World War II romance with a Hester Prynne theme—and we're already getting some Oscar buzz from it. Still, it's a long shot, and it's nothing like her previous films."

Ben pulled a pair of sunglasses from his suit pocket and placed them over his eyes. The bright Los Angeles sun was beating down on them as they climbed onto a golf cart to traverse the large lot to the studios. "Sounds like we're the lucky ones, then."

"You've got that right," Arthur agreed, taking the driver's seat since Ben was still mostly unfamiliar with the area.

A few minutes later, their golf cart pulled up outside a large warehouse-type building that read STUDIO E in large black letters across the top. Ben climbed out and followed Arthur to a small door off to the side, a red light lit above the door.

Arthur pointed to the light. "That means they're filming, so not a peep." He placed a finger to his mouth, indicating they needed to be quiet.

Ben nodded, and they entered the building only to be immediately shrouded in darkness. It might be his first day at Shepherd Films, but Ben was no stranger to movie sets and felt immediately at ease as they carefully made their way over to where the camera crew was.

Ben's father, Roger Lawson, was a highly sought after cameraman who'd taken a career most people overlooked and became the best. He'd taught Ben to do the same—excel in everything by putting his whole heart into every project, no matter how small or large. As a young boy, he'd spent many a summer day with his father at work, learning the business of not only filming, but creating movies, in general.

Newly thirty years old, Ben had spent the last decade putting his father's words into practice, rising through the ranks to become one of the hottest names in film production. He only wished his father was still alive to see his ascent, or at least, he had wished that until his ex-wife smeared his name through the tabloids during their divorce.

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