“Exactly. How much are you planning to pile on top of this budget, Hannah?” Brinley’s laugh was exasperated. “Your last suggestion dragged us to the Capital of Fish. And now you want to record an original soundtrack? Maybe you want to hold the premier in Abu Dhabi—”
“I’d like to see the songs, please,” Sergei said briskly, stepping out from behind the trailer to Hannah’s right, almost startling her into dropping the folder. His gaze was hard on Brinley, who’d gone a ghostly shade of white, but his demeanor softened when he reached out to take the folder from Hannah. “May I?”
This kind of upstaging scenario was the last place Hannah wanted to end up. Brinley was good at her job, and she respected the woman. She’d been prepared to hand over the songs and let Brinley claim the original score as her idea.
That wasn’t going to happen now.
Hannah tried to communicate a silent apology to Brinley, but the coordinator’s attention was focused on Sergei as he read through the first couple of shanties. “It’s hard to get anything from just the words,” he said, sounding disappointed. “There is no way to hear them set to music?”
Brinley shot triumphant daggers at her.
“Well . . .” Hannah started, once again experiencing the urge to take back the folder, laugh, apologize for the bad idea. Instead, she took a deep breath and kicked down the door of her comfort zone. “I’m in the process of doing that. I’ve already arranged to have them recorded. It’s just a matter of whether Storm Born wants them for this project or not.”
That’s right. Hannah lied. Just a little.
She was planning on finding a way to record the shanties, wasn’t she? Sure, that ball had been set in motion only a matter of hours ago. There was also a strong chance the Unreliables wouldn’t be interested, or they would be unavailable when Shauna got in touch. If so, eventually she’d find somebody else. But bottom line, she was making it sound as though having the end product was imminent—and it wasn’t.
Sergei had a severely short attention span, though. And she had him semi-hooked on this idea she believed in with her heart, her soul, her gut. If she didn’t feed the director something real, something substantial, right now, it would blow out of his consciousness like white fuzzies from a dandelion.
And this was entertainment, baby. Fake it till you make it.
Sergei eyeballed her, right on the verge of interest. One more push.
How?
“I can . . . you know,” she mumbled into her chest. “I can sing one of them—”
“Yes, let’s do that,” Brinley said, beaming, resting her chin on her wrist. “Hey!” She leaned sideways and called to a group of crew members. “Hannah is going to sing us a sea shanty.”
The way everyone swarmed, she might as well have been Hailey Bieber walking out of LAX, suddenly the focus of rabid paparazzi. “Uhh.” She cleared her throat, reaching out to take the folder back from Sergei. This song had reduced her to tears last night. Was she really going to sing it in front of all her coworkers? Not only was she worried about having the same response in public, but her love for music didn’t exactly extend to sterling vocal abilities. “So . . . this is called ‘A Seafarer’s Bounty.’”
For once on the boisterous set, a pin could have been heard dropping.
Even Christian looked interested in the proceedings.
The first line of the song came out flat, kind of hushed. And then she happened to lift her eyes and see the Della Ray bobbing in the water just ahead in the harbor. Something moved inside her. Something deep and unknown, a little scary. A bridge to the past, to some other time. Her father had made his livelihood on that exact boat. He’d met his death on it. And she was singing one of his songs, so maybe she’d just better do it justice. She’d been handed all his words and thoughts. She’d never meet him, but in this small way, wasn’t she bringing him back to life?
Hannah didn’t realize how much her voice had risen until the song was nearly over and still no one spoke or moved. In no way did she fool herself into thinking her talent kept them as still as statues. God, no. Their inaction was probably due to the fact that she’d put more effort into the song than she’d put into anything before, except maybe creating the perfect playlist.
Her voice traveled across the harbor, the wind seeming to carry it out to the water. When the song was over, Sergei started clapping and everyone joined in. It was so unexpected, the crack of sound firing her back into the present, that she recoiled and almost fell on her ass, earning her an eye roll from Christian. But she didn’t have a chance to thank everyone or hear Sergei’s opinion about Henry’s song before Brinley tossed down her legal pad. “Look, I have been working on synchronization rights to our songs for weeks. Our sound-mixing team has already approved the sequence and outline. I hope you’re not taking this seriously, Sergei, because it would mean starting from scratch, and we’re already over budget and behind schedule. It’s a terrible idea. From a kid.”
A chorus of ooohs went up behind Hannah.
Hannah’s face flamed. With embarrassment, yes, but mostly indignation. There was nothing terrible about this idea. About Henry’s songs. And it was that anger that drove Hannah to double down. Why be nice and try to keep things smooth sailing with Brinley? Obviously that wasn’t going to happen, so she needed to fight for what was important. What she could control.
Hopefully.
Hannah did all the paperwork for Storm Born. She knew the numbers, had been reading through Brinley’s cue sheets and sync contracts for years. She used that knowledge to her advantage now.
“No. Actually, using the shanties would put us back under budget. And the rights would be exclusive.”
Sergei liked the word “exclusive.” A lot. He looked back down at the folder, that creative vein worming around in his temple.
“We could provide a flat fee of twenty thousand to the artists for the recording session. Currently, we’re spending more than that on the rights to one song. I’m not taking a broker fee, but my grandmother will take fifteen percent off the top of any profit from the soundtrack over the next ten years. We’d be saving the producers money this way and possibly putting an indie band on the charts.” From the corner of her mouth, she whispered, “Exclusive,” for good measure.
“But the time it would take—” Brinley argued.
“At the very least, I would like to hear a demo. These songs give the film historical value, they enrich the backstory.” Sergei executed a dramatic walk through the silent crew, fanning a hand out over the water. “I’m picturing a fast-motion sunrise while the haunted voice of a sailor calls from beyond the horizon. We open with purpose. With gravity. The audience is pulled into the time and place with the voices of the people who live here. The men who trod these waters.”
One couldn’t technically tread on water, unless one was Jesus, but Hannah didn’t think now was a good time to point it out. Sergei was in full inspiration mode; everyone held their breath, and Brinley looked about two seconds from stabbing Hannah with a Bic.
Sergei turned on a heel and faced the group. “Brinley, let’s continue in the direction we’ve been heading. But I’d like to pursue Hannah’s angle, as well. We are already behind schedule and over budget. Brinley is right about that.” He stroked his chin thoughtfully, a move that used to make Hannah swoon but that she now observed objectively. Please don’t be because of a certain emotionally complicated relief skipper. “Hannah, if you can really have these songs recorded and make them digital on a smaller budget, I’m going to take the change of direction under advisement.”