He sighs, giving in. “Love Jo.”
“Is she different enough from Old Man Whittaker, you think? I mean, old, crotchety person with no family?”
“I think so. We get depth to her character quickly, and her backstory, with the ex who drove her out of Hollywood, doesn’t ring any Once bells. Old Man Whittaker lost his family, but Josephine never had one to begin with. And besides, the discussion of how her being a woman dictated how the media and world treated her is kind of this book’s whole deal.”
“True,” I say. “And I love that, but it does bring me to my next thought. Maybe we should pull back on the reveal about her connection to the film industry until later.”
Charlie’s eyes take on a Mac spinning-wheel quality, like his thoughts are loading. “I disagree,” he says slowly. “What I’d prefer is if we didn’t find out why Nadine never became an actress until later. I think there’s opportunity for tension there. Like maybe when Nadine finds Jo’s Oscar, it comes out that Nadine originally wanted to act and Jo asks what changed her mind, and we get some foreshadowing.”
“Shit,” I say.
“What?” Charlie says.
“You’re right.”
“My condolences,” he says. “This has clearly been very hard on you.”
I start typing the update into my notes.
“Nadine shouldn’t have given up on acting,” Charlie says.
The words float there for a minute, an obvious trap. “She makes a lot of money agenting,” I reply.
“She doesn’t enjoy her money,” he reminds me.
I keep typing. “She likes agenting.”
“She loved acting.”
“I thought you were her biggest fan.”
“I am,” he says. “That’s why I want her to get her happy ending.”
“I don’t think it’s that kind of book, Charlie.”
His shoulder shrugs in tandem with a flick of his full lips. “We’ll see.”
Despite my carefully organized document, the way we move through our edits feels more like those days wandering the Central Park Ramble with Mom and Libby.
The document balloons and then we pare it down, Charlie pulling my laptop over to him to reduce four sentences into one, me pulling it back to thread through more compliments, until, hours into the process, I realize we’ve switched roles. Now he’s the one inserting praise and I’m the one trimming fat.
As he watches me, he murmurs, “I’ve just always wanted to see a shark attack up close. So much blood.”
Face warming, along with a few less innocuous places, I turn back to the document, overrun by tracked changes. “I like to see my progress.”
“Nora,” he says. “It’s all progress at this point.” He reaches out to select the whole document, then hovers the cursor over Accept All Changes, his elbow nestling against mine on the wood laminate table. He looks to me for approval.
I nod, but he doesn’t move, and the light contact of his arm pulls all the nerves in my body toward that one spot.
Any second the walls will go back up, and I can’t take that. I thought about how to broach the subject for hours as I lay awake last night, and somehow, what comes out is still just, “I forgot to mention, last night I ran into your cousin.”
I say the word purposefully. Charlie glances away as he scratches his jaw. “Was he rescuing a kitten from a tree, or helping an old lady across the street?”
“Neither,” I say. “He was just shirtless and washing a car.”
“I hope you tipped him for his trouble.” His gaze comes back to mine, a crackle of electricity jumping the gap between us.
“Hey, buddy,” I say, “here’s a tip: put on a shirt. This is a family-friendly literary salon.”
The corners of his Charlie’s lips twitch as he stands and leans against the table, his eyes fixing on the window. “If you’d really said that, the ladies’ knitting club would’ve run you out of town. Shirtless Shepherd is a Sunshine Falls staple.”
I fight to keep my voice even. “I didn’t know he was your cousin. Or I wouldn’t have gone out with him.”
He looks away. “You don’t owe me anything, Nora.”
“Oh, I know.” I stand too. I can’t dance around it any longer—it’s not working anyway. I can’t do anything about the Libby piece of things, but this—this can be resolved. One way or another, the wall of tension is coming down today.
I take a breath and go on: “Especially if something’s going on with you and your ex.”
His eyes dart back to mine. “It’s not.”
“You saw her last night, didn’t you?”
His jaw flexes. “I was working. She just stopped by.”
I feel my gaze narrow skeptically. “For a planned visit?”
He shifts his weight. “Yes,” he admits.
“To buy a book?” I say.
His jaw tightens again. “Not exactly.”
“To hang out?”
“To talk.”
“As ex-fiancés so often do.”
“It’s a small town,” he says. “We can’t avoid each other. We needed to clear the air.”
“Ah,” I say.
“Don’t ah,” he says, sounding frustrated now. “Nothing happened between us, and it’s not going to.”
“It’s none of my business,” I say.
“Exactly.” Somehow this seems to make him more frustrated, which makes me more acutely, hungrily aware of the space shrinking between us. “Just like it’s none of my business if you date my cousin.”
“Whom I have no intention of seeing again,” I say. “And with whom I wouldn’t have gone out even once if I’d known he was your cousin.”
“You didn’t do anything wrong,” Charlie insists.
“And you didn’t either, by spending time with Amaya,” I reply. We are either too good or too bad at fighting. We are viciously trading support for each other’s romantic lives.
He one-ups me with, “Shepherd’s a great guy. Most eligible bachelor in town. He’s perfect for your list, checks all your boxes.”
“What about Amaya?” I throw back. “How’s she measure up to yours?”
“Doesn’t make the cut,” he says.