Home > Head Over Heels(31)

Head Over Heels(31)
Author: Hannah Orenstein

“I’m sorry, you’re right,” I say. It’s awkward to realize that Sara can tell exactly how I feel about my body. “Old habits die hard, you know?”

Sara gives me a kind smile. “Yoga totally transforms the way your mind relates to your physical self. You’ll see. I bet you’ll like it.”

An hour later, she leads me into Mind & Body Yoga. The studio has shiny wooden floors, a row of leafy green plants at the front of the room, and soothing music wafting from the speakers. The other participants in the class—mostly twenty- and thirty-something women, but a few teenagers and a handful of men, too—unroll colorful yoga mats facing the front of the room and begin to stretch. Sara hands me an extra mat, along with two foam blocks.

“In case you need to prop yourself up to get through some of the more challenging poses,” she explains quietly.

I try not to scoff, but come on. I’m a former elite gymnast. I think I can survive an hour of yoga.

Sara sets up her own mat horizontally at the front of the room. When the studio is mostly full, she kicks off class by encouraging us to lie down in a comfortable position. I expected everyone to lie flat on their backs, but I’m surprised by the variations: legs splayed out, knees butterflied out to the sides, heads propped up by foam blocks. Sara leads the class through a breathing exercise in a melodic, trance-like voice.

“In through your nose,” she intones with a kind but serious expression. “Out through your mouth. And then, when you’re ready, another inhale.”

After what feels like eons of breathing, Sara slowly leads the class into a sitting position, and encourages us to emit an om on the count of three.

“One, two, three, all together, now, om…” she says.

The class erupts into noise that stretches on for longer than I expected, and I run out of breath before the rest of the class. The second time we try it, I attempt to sustain the sound longer than anyone else—well, second longest, since being the very last person to keep it up would draw more attention than I really want. I’m surprised at the effort it takes.

By the time Sara leads us from a sitting position to a standing one, I’m antsy for the real work to begin. I know that yoga is about relaxation and meditation, but it’s exercise, too, isn’t it? Eventually, we settle into downward dog. People around me emit little sighs and groans as they sink into the position.

“Beautiful breath sounds,” Sara compliments. “It’s okay to let go and vocalize your efforts.”

From downward dog, we move through a series of poses with names like warrior one, warrior two, half moon, and crescent moon. Sara encourages us to “flow” from one to the next and be “intentional” about our breath, whatever that means. The language of yoga feels funny to me, but I suppose gymnastics has its own language, too. The class moves slowly at first, but soon, we’re breezing from one pose to the next in a way that makes me sweat. Sara winds her way through the maze of mats, correcting postures with a touch of her hand and whispering words of encouragement. I can’t help but feel competitive about it: I want to perform so flawlessly that she won’t have to correct me at all. It would be one thing if I were a couch potato who struggled to get the poses right—but I’m not. I’m a world-class athlete, or at least, was one. This should be a piece of cake. I crane my neck to glimpse the way my neighbor, a curvy woman in a pink workout tank that reads HUSTLE FOR THAT MUSCLE, sinks into warrior two, and try to angle my body to match hers.

That’s when I feel Sara’s hands on my hips. “Like this,” she says, tilting my left side forward and my right side back. She trails a finger up the back of my neck, causing me to look ramrod straight ahead instead of at the people around me. And then, as if she’s reading my mind, she whispers, “It’s not a competition. Just listen to your body and do what you need to do.”

“Okay, but is this right?” I whisper back.

She pauses and gives an infuriatingly serene wave of her hand. “There’s no such thing as right or wrong, as long as you’re focused on your breath and your flow.”

“But—” I protest.

It’s too late. Sara has already moved on to another student. This, I think, is why I hate yoga. There’s always a right way to do everything.

Once the class has more or less all caught up to downward dog again, Sara takes her place at the front of the yoga studio and demonstrates another sequence of postures. Between the bent knees, angled hips, and outstretched arms, these are a little more complicated. I have to concentrate to get the series right. As I move from one pose to the next, I feel my muscles stretch and quiver; this class is more taxing than I expected. While my thighs quake through chair pose, Hustle for That Muscle Girl’s quads look rock solid. I stare down at my legs, willing them to stay locked into place, but the only thing that happens is a fat droplet of sweat drips off my nose and splashes onto my kneecap. I inhale deeply, like Sara taught me to, and I’m surprised to find that maybe—just maybe—it actually does help. Thirteen trembling seconds later (but who’s counting?), I breathe a sigh of relief when Sara tells the class to stretch upward into mountain pose, which is just standing up straight.

“You’re stronger and softer than your mind knows. But your body knows,” she says—whatever that means.

We cycle through the sequence again, and when I end up back in chair pose, I grit my teeth. This time around, I know what I’m up against. I’m determined to make it through the full duration without breaking perfect form.

“If at any point, you’re not feeling what the class is doing, take a break,” Sara intones in that oddly soothing yoga voice. “Sit in child’s pose or shavasana. There’s real power in tuning in to your body’s truest needs.”

Real power. Real power. Through the burning sensation in my thighs, I want to scream at Sara: You know what real power looks like? Standing atop an Olympic podium with a gold medal draped around your neck, that’s what. Or training hard for thousands of hours until you know you have ultimate control over your body’s every movement. Not tapping out when it gets a little bit tough.

“Chair pose is challenging for a reason,” she says, voice floating through the room. “The key is to listen to your body and make adjustments that honor your journey through the pose.”

Before I can register what’s happening, I’m dropping to the floor and stretching my torso and arms over my knees into child’s pose. I’m “honoring my journey.” It’s embarrassing, but relief washes over me. My thighs relax, my breathing evens out, and the muscles around my shoulders loosen. I’m frustrated with myself for dropping out of the challenge, but when I roll my head to the side and peek out at my classmates from under my arm, it looks like nobody’s even noticed me. Hustle for That Muscle Girl resolutely blows out a steady stream of air from pursed lips. The pair of teen girls on my other side don’t seem to blink. Sara only comes my way to press her palms into my lower back.

I can’t remember ever dropping out of a workout like this before. When I was Hallie’s age, if Jasmine or I were tired or in pain, we’d wait until Dimitri got wrapped up in a conversation with another coach or went to the bathroom before we dared take a break. A few moments of rest weren’t worth the threat of his backlash. It was impossible to truly relax when you feared he’d deliver a physically taxing punishment or a cruel joke at your expense.

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