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To Be a Man(2)
Author: Nicole Krauss

Sometimes in my wanderings a man would stare at me without letting up, or come on to me in French. These brief encounters embarrassed me, and left me with a feeling of shame. Often the men were African, with sparkling white smiles, but one time, as I stood looking into the window of a chocolate shop, a European man in a beautiful suit came up behind me. He leaned in, his face touching my hair, and in faintly accented English, whispered, “I could break you in two with one hand.” Then he continued on his way, very calmly, as if he were a boat sailing on still water. I ran all the way to the tram stop, where I stood gasping for breath until the tram arrived and squeaked mercifully to a stop.

We were expected at the dinner table at 6:30 sharp. The wall behind Mrs. Elderfield’s seat was hung with small oil paintings of alpine scenes, and even now an image of a chalet, or cows with bells, or some Heidi gathering berries in her checked apron brings back the aroma of fish and boiled potatoes. Very little was said during those dinners. Or maybe it only seemed so in comparison to how much was said in the back bedroom.

Marie’s father had met her mother in Bangkok while he was a GI, and had brought her back to America, where he set her up with a Cadillac Seville and a ranch house in Silver Spring, Maryland. When they divorced, her mother went back to Thailand, her father moved to Boston, and for the next ten years Marie was tossed and tugged between them. In the last few years she had lived exclusively with her mother in Bangkok, where she had a boyfriend with whom she was madly, jealously in love, and would stay out with him all night, dancing in clubs, drunk or high. When Marie’s mother, at her wit’s end and busy with her own boyfriend, told her father about the situation, he yanked her out of Thailand and deposited her in Switzerland, known for its “finishing” schools that polished the wild and the dark out of girls and contained them into well-mannered women. Ecolint was not such a school, but Marie, it turned out, was already too old for a proper finishing school. She was, in the estimation of these schools, already finished. And not in the good way. So instead Marie was sent to do an extra year of high school at Ecolint. Along with Mrs. Elderfield’s house rules, there were strict instructions from Marie’s father about her curfew, and after Marie got into Mrs. Elderfield’s cooking wine, these stringent regulations were tightened even further. Because of this, on the weekends that I did not take the train to Basel to see my parents, Marie and I were often home together while Soraya was out.

Unlike Marie, Soraya didn’t radiate trouble. At least not the sort of trouble that comes of recklessness, of a desire to cross whatever boundaries or limits others have set for you without consideration of the consequences. If anything, Soraya radiated a sense of authority, exquisite because it derived from an inner source. Her outward appearance was neat and composed. She was small, no taller than I was, and wore her dark straight hair cut in what she called a Chanel bob. Her eyes were winged with eyeliner, and she had a downy mustache that she made no effort to conceal, because she must have known that it added to her allure. But she always spoke in a low voice, as if she trafficked in secrets, a habit she may have formed during her childhood in revolutionary Iran, or in her adolescence, when her appetite for boys, and then men, quickly outgrew what was considered acceptable by her family. On Sundays, when there wasn’t much to do, the three of us would spend the day closed up in the back bedroom listening to cassettes and, in that low-slung voice further deepened by smoking, descriptions of the men Soraya had been with and the things she’d done with them. If these accounts never shocked me, it was partly because I didn’t yet have a solid enough sense of sex, let alone the erotic, to really know what to expect from it. But it was also because of the coolness with which Soraya told her stories. She had about her a kind of unassailability. And yet I suppose she felt the need to test whatever it was at her core that had come to her, like all natural gifts, without effort, and what might happen if it failed her. The sex she described seemed to have little to do with pleasure. On the contrary, it was as if she were submitting herself to a trial. Only when Tehran was woven into her discursive stories and she recounted her memories of that city was her sense of pleasure truly palpable.

 

November, after the arrival of the snow: it must have been November already when the businessman showed up in our conversations. Dutch, more than twice Soraya’s age, he lived in a house with no curtains on an Amsterdam canal, but every couple of weeks he came to Geneva on business. A banker, as I recall. The lack of curtains I remember because he told Soraya that he only fucked his wife with the lights on when he was sure people across the Herengracht could see her. He stayed at the Hôtel Royale, and it was in the restaurant of that hotel, where her uncle had taken her for tea, that Soraya first met him. He was sitting a few tables away, and while her uncle droned on in Farsi about all the money his children spent, Soraya watched the banker delicately debone his fish. Wielding his utensils with precision, a look of absolute calm on his face, the man extracted the skeleton whole. He performed the operation perfectly, slowly, with no sign of hunger. Not once, as he proceeded to devour the fish, did he stop to remove a small bone from his mouth, the way everyone does. He ate his fish without choking, without even making a passing grimace that comes with the displeasure of being speared in the throat by a tiny, errant bone. It takes a certain kind of man to turn what is essentially an act of violence into elegance. While Soraya’s uncle was in the men’s room, the man called for his check, paid in cash, and rose to leave, buttoning his sports jacket. But instead of going straight out the doors that led to the lobby, he detoured past Soraya’s table, on which he dropped a five-hundred-franc note. His room number was written in blue ink next to Albrecht von Haller’s face, as if it were Albrecht von Haller who was affording her this bit of precious information. Later, while she was kneeling on the hotel bed, freezing in the cold gusting in through the open terrace doors, the banker told her that he always got a room overlooking the lake because the powerful stream of its fountain, which shot up hundreds of feet into the air, aroused him. As she repeated this to us, lying flat on the floor with her feet up on the twin bed that had belonged to Mrs. Elderfield’s son, she laughed and couldn’t stop. And yet, despite the laughter, an arrangement had been made. From then on, if the banker wished to let Soraya know of his impending arrival he would call Mrs. Elderfield’s house and pretend to be her uncle. The five-hundred-franc note Soraya put away in the drawer of her night table.

 

At the time, Soraya was seeing other men. There was a boy her age, the son of a diplomat who came to pick her up in his father’s sports car, the transmission of which he destroyed on a drive they took to Montreux. And there was an Algerian in his early twenties who worked as a waiter at a restaurant near the school. She slept with the diplomat’s son, whereas the Algerian, who was genuinely in love with her, she only allowed to kiss her. Because he had grown up poor like Camus, she projected on him a fantasy. But when he had nothing to say about the sun he was raised under, she began to lose feeling for him. It sounds cold, but later I experienced this myself: the sudden disassociation that comes with the fear of realizing how intimate you have been with someone who is not at all what you imagined but something other, entirely unknown. So when the banker demanded that Soraya drop both the diplomat’s son and the Algerian, it was not difficult for Soraya to comply. It excused her of responsibility for the Algerian’s pain.

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