“That’s where she was,” he is saying. “Number one-eighteen. Admin hasn’t coughed up the dough to get the walls patched, yet, so for now we’re just leaving it as is. Not a lot of money around here for improvements. . . .”
Alex is watching me. All his control and confidence has vanished. His eyes are blazing with anger, or maybe pain; his mouth is twisted into a grimace. My head feels full of noise.
Alex holds up his hand like he’s thinking of blocking my progress. Our eyes meet for just a second and something flashes between us—a warning, or an apology, maybe—and then I am pushing beyond him into cell 118.
In almost every way it is identical to the cells I’ve glimpsed through the tiny hallway windows: a rough cement floor; a rust-stained toilet, and a bucket full of water, in which several cockroaches are revolving slowly; a tiny iron bed with a paper-thin mattress, which someone has dragged into the very center of the room.
But the walls.
The walls are covered—crammed—with writing. No. Not writing. They are covered with a single four-letter word that has been inscribed over and over, on every available surface.
Love.
Looped huge and scratched, just barely, in the corners; inscribed in graceful script and solid block lettering; chipped, scratched, picked away, as though the walls are slowly melting into poetry.
And on the ground, lying curled up against one wall, is a dull silver chain with a charm still attached to it: a ruby-encrusted dagger whose blade has been worn down to a small nub. My father’s charm. My mother’s necklace.
My mother.
All this time, during every long second of my life when I believed her dead, she was here: scratching, burrowing, chipping away, encased in the stone walls like a long-buried secret.
I feel, suddenly, as though I am back in my dream, standing on a cliff as the solid ground disintegrates underneath me, transforms into the sand in an hourglass, running away under my feet. I feel the way I do in that moment when I realize that all the ground has vanished, and I am standing on a bare blade of air, ready to drop.
“It’s terrible, you see? Look at what the disease did to her. Who knows how many hours she spent scrabbling along these walls like a rat.”
Frank and Alex are standing behind me. Frank’s words seem to be muffled by a layer of cloth. I take a step forward into the cell, suddenly fixated on a shaft of light, extending like a long golden finger from a space in the wall that has been chipped clear away. The clouds must have begun to break apart outside: Through the hole, on the other side of the stone fortress, I see the flashing blue of the Presumpscot River, and leaves shifting and tumbling over one another, an avalanche of green and sun and the perfume of wild, growing things. The Wilds.
So many hours, so many days, looping those same four letters over and over: that strange and terrifying word, the word that confined her here for over ten years.
And, ultimately, the word that helped her escape. In the lower half of one wall, she has traced the word so many times in such enormous script—LOVE, each letter the size of a child—and gouged so deeply into the stone that the O has formed a tunnel, and she has gotten out.
Chapter Twenty-Three
Food for the body, milk for your bones,
ice for the bleeding, a belly of stones.
—A folklore blessing
Even after the iron gates clang shut behind us and the Crypts recedes in the distance, the feeling of being penned in on all sides doesn’t go away. There’s still a terrible, squeezing pressure in my chest, and I have to struggle to suck in full breaths.
An ancient prison bus with a wheezing motor carries us away from the border, to Deering. From there Alex and I walk back toward the center of Portland, staying on opposite sides of the sidewalk. Every couple of feet he swivels his head to look at me, opening and closing his mouth, like he’s pronouncing a series of inaudible words. I know he’s worried about me, and probably waiting for me to break down, but I can’t bring myself to meet his eyes or speak to him. I keep my eyes locked straight ahead of me, keep my feet cycling forward. Other than the terrible pain in my chest and stomach, my body feels numb. I can’t feel the ground underneath me or the wind zipping through the trees, skating past my face; can’t feel the warmth of the sun, which has, against all odds, broken through the terrible black clouds, lighting the world up a strange greenish color, as though everything is submerged under water.
When I was little and my mother died—when I thought she’d died—I remember going out for my first-ever run and getting hopelessly lost at the end of Congress, a street I’d been playing on my whole life. I turned a corner and found myself in front of the Bubble and Soap Cleaners and had been suddenly unable to remember where I was, and whether home was to the left or to the right. Nothing looked the same. Everything looked like a painted replica of itself, fragile and distorted, like I was caught in a fun house hall of mirrors reflecting my regular world back to me.
That’s how I feel now, again. Lost and found and lost again, all at once. And now I know somewhere in this world, in the wildness on the other side of the fence, my mother is alive and breathing and sweating and moving and thinking. I wonder if she is thinking about me, and the pain shoots deeper, makes me lose my breath completely so I have to stop walking and double up, one hand on my stomach.
We’re still off-peninsula, not far from 37 Brooks, where the houses are separated by large tracts of torn-up grass and run-down gardens, full of litter. Still, there are people on the streets, including a man I take for a regulator right away: Even now, just before noon, he has a bullhorn swinging from his neck and a wooden baton strapped to one thigh. Alex must see him too. He stays a couple of feet away from me, scanning the street, trying to appear unconcerned, but he murmurs in my direction, “Can you move?”
I have to fight my way through the pain. It is radiating through my whole body now, throbbing up into my head. “I think so,” I gasp out.
“Alley. On your left. Go.”
I straighten up as much as I can—enough, at least, to hobble into the alley between two larger buildings. Halfway down the alley there are a few metal Dumpsters, arranged parallel to one another, buzzing with flies. The smell is disgusting, like being back in the Crypts, but I sink down between them anyway, grateful for the concealment and the chance to sit. As soon as I’m resting, the throbbing in my head subsides. I tilt my head back against the brick, feel the world swaying, a ship cut loose from its mooring.
Alex joins me a few moments later, squatting in front of me, brushing the hair away from my face. It’s the first time he’s been able to touch me all day.
“I’m sorry, Lena,” he says, and I know he really means it. “I thought you’d want to know.”
“Twelve years,” I say simply. “I thought she was dead for twelve years.”
For a while we stay there in silence. Alex rubs circles on my shoulders, arms, and knees—anywhere he can reach, really, like he’s desperate to maintain physical contact with me. I wish I could close my eyes and be blown into dust and nothingness, feel all my thoughts disperse like dandelion fluff drifting off on the wind. But his hands keep pulling me back: into the alley, and Portland, and a world that has suddenly stopped making sense.