“A chat,” Karyn echoed. “The sort of chat that would be better with a lawyer present?”
“That’s entirely up to Sam. But he’s not being charged with anything right now.”
Right. Now.
Karyn and I both heard it. Right now was another way of saying yet. She looked at me. “Sam, do you want me to call Geoffrey?”
I knew my face gave me away, because she answered her own question. “He’s not available, is he?”
“I’ll be okay,” I said.
“This strikes me as harassment,” Karyn said to Koenig. “He’s an easy target because he’s not the same as everyone else. If Geoffrey Beck were in town, would we be having this conversation?”
“With all due respect, ma’am,” Koenig said, “if Geoffrey Beck were in town, he would probably be the one we were questioning.”
Karyn sealed her lips shut, looking unhappy. Koenig stepped back out of the center aisle to gesture toward the front door. Now I could see a police car double-parked in front of the store, waiting for us.
I was intensely grateful to Karyn for standing up for me. For acting like I was her business. She said, “Sam, call me. If you need anything. If you feel uncomfortable. Do you want me to come with?”
“I’ll be okay,” I said again.
“He’ll be all right,” Koenig said. “We are not trying to back anyone into a corner here.”
“I’m sorry I have to leave,” I told Karyn. Usually she only came in for a few hours on Saturday morning and then left the shop in the hands of whoever was working. Now I’d ruined her entire day.
“Oh, Sam. You didn’t do anything wrong,” Karyn said. She came over and hugged my shoulders, hard. She smelled like hyacinths. To Koenig, she said — Business Karyn vanishing as accusation slipped into her tone — “I hope this is worth it for you guys.”
Koenig led me down the aisle toward the front door. I was infinitely aware that the woman with the big purple bag was watching me go, cell phone still up to her ear. Her phone speaker was turned up loud enough that we could both hear the woman on the other side of the line say, “Are they arresting him?”
“Sam,” Koenig said. “Just tell the truth.”
He didn’t even know what he was asking for.
• COLE •
After I left the Culpeper house, I just drove. I had Ulrik’s old BMW wagon, some of the money I’d brought, no one to tell me not to go.
On the radio, I was listening to a song by a band that had opened for us once. They had been such a train wreck live that I’d felt positively virtuous, a difficult feat to accomplish at that point. I should’ve thanked them for making us look good. The lead singer’s name had been Mark or Mike or Mack or Abel or something like that. Afterward, he’d come up to me, ferociously drunk, and told me I was his biggest influence. I could see the resemblance.
Now, a million years later, I listened to the DJ describe the single as the band’s one hit. I kept driving. I still had Sam’s phone in my pocket, and it wasn’t ringing, but for once, I didn’t care. I felt like I’d left a message for Isabel that didn’t require a callback. It was enough to have said it.
My windows were rolled down and my arm was out, the wind buffeting it, my palm moist from grabbing mist. The Minnesota landscape stretched out on either side of the two-lane road. It was all scrubby pines and flat houses and rocks stacked randomly and lakes suddenly glinting behind trees. I thought the residents of Mercy Falls must have decided to build ugly houses to make up for all the natural beauty. Keep the place from exploding, or something, from an excess of picturesque.
I kept thinking about what I’d told Isabel, about thinking of calling my family. I’d been mostly truthful. The idea of calling my parents felt impossible and unpalatable. In the Venn diagram that was me and them, the shape where our circles overlapped was empty.
But I still thought about calling Jeremy. Jeremy the resident bassist-yogi. I wondered what he was doing without me and Victor. I liked to think that he’d used his money to go backpacking across India or something. The thing about Jeremy, the thing that made me almost willing to call him and no one else, was that he and Victor had always known me better than anyone. That was what all NARKOTIKA really was: a way of knowing Cole St. Clair. Victor and Jeremy had spent years of their lives helping describe the particular pain of being me to hundreds of thousands of listeners.
They did it so often that they could do it without me. I remembered one interview where they did it so well that I never bothered to answer another interview question again. We were being interviewed in our hotel room. It was first thing in the morning because we had a flight to catch later. Victor was hungover and pissy. Jeremy was eating breakfast bars at the tiny, glass-topped desk in the room. The room had a narrow balcony with a view to nothing, and I had opened the door and was lying out there on the concrete. I had been doing sit-ups with my feet hooked on the bottom rung of the railing, but now I was just staring at jet trails in the sky. The interviewer sat cross-legged on one of the unmade beds. He was young and spiked and pressed and named Jan.
“So who does most of the songwriting?” Jan had asked. “Or is it a group thing?”
“Oh, it’s a group thing,” Jeremy said, in his slow, easy way. He’d picked up a Southern accent at the same time he’d acquired Buddhism. “Cole writes the lyrics, and then I bring him coffee, and then Cole writes the music, and Victor brings him pretzels.”
“So you do most of the writing, then, Cole?” Jan raised his voice so that I could hear him better out on the balcony. “Where do you get your inspiration?”
From my vantage point on the balcony, staring straight up, I had two viewing options: the brick sides of the buildings across the street, or one square of colorless sky above me. All cities looked the same when you were on your back.
Jeremy snapped a piece of his breakfast bar off; we could all hear the crumbs rustle across the table. From the other bed, still sounding like he was PMSing, Victor said, “He won’t answer that.”
Jan sounded genuinely puzzled, as if I was the first to refuse him. “Why?”
“He just won’t. He hates that question,” Victor said. His feet were bare; he clicked the bones in his toes. “It is kind of a stupid question, man. Life, right? That’s where we get our inspiration.”
Jan scribbled something down. He was left-handed and writing looked awkward for him, as if he were a Ken doll with parts assembled slightly wrong. I hoped he was writing down Never ask that question again. “Okay. Um. Your EP One/Or the Other just debuted in Billboard’s top ten. What are your thoughts on that incredible success?”
“I’m buying my mother a BMW,” Victor said. “No, I’m just buying Bavaria. That is where BMWs are from, right?”
“Success is an arbitrary concept,” Jeremy said.
“The next one will be better,” I said. I hadn’t said it out loud before, but now I had, so it was true.
More writing. Jan read the next question from his paper. “Uh, that means that you guys knocked out the Human Parts Ministry album from the top ten, where it had been for over forty weeks. Sorry, forty-one. I swear there won’t be typos in the final interview. So, Joey of Human Parts Ministry said he thought ‘Looking Up or Down’ was such a long-lived hit because so many people identified with the lyrics. Do you think listeners out there identify with the lyrics of One/ Or the Other?”