‘Not there. Lucille doesn’t like flowers on the kitchen table.’
I smile and try to take the vase back but she clings to it and the water slops all over her floaty coral shirt. We both look down as the sodden material clings to her lean frame, and the look in her eye when she releases the vase and raises her face is unmistakable. The woman detests me.
‘You did that on purpose.’
‘What? No …’ I almost laugh, shocked at her audacity.
‘Everything okay?’ Oscar appears in the doorway as if on cue, his eyes darting nervously between us.
‘Just marvellous,’ Cressida says. ‘Your wife spilt water over me.’ She gestures down at her drenched clothes. ‘Accidentally, I’m sure.’ She shoots me a magnanimous smile and looks at him under her lashes, theatre that suggests she’s covering for my mean streak.
‘What?’ He looks at her wet shirt and then at the vase in my hands, perplexed. ‘Why would you do that, Laurie?’
The fact that he didn’t stop to wonder whether she was lying is a red flag; I file it away to think about later.
‘I didn’t,’ I say, and she huffs imperceptibly and folds her arms lightly across her chest.
I’m trying to read between the lines to see what is really happening here. Something is clearly eating Cressida up from the inside out.
‘I’m going to the bathroom to try and sort this out.’ She turns on her heel and huffs off down the hallway, leaving us to stare at each other across the table.
I attempt to put the flowers down on it again, but he reaches out and takes them from me.
‘Mum has a thing about flowers on the kitchen table. I’ll find somewhere for them in the hall.’
We’re finally home. All the way back in the cab we were furiously silent, and now we lie in bed, inches apart, both staring at the darkened ceiling.
‘I’m sorry I believed Cress so easily,’ Oscar says quietly, finally breaking through the wall of silence. ‘I should have taken your side.’
Under the safety of darkness I roll my eyes at his shortening of her name.
‘It surprised me,’ I say. ‘You know me well enough to know I don’t go around throwing water over people.’
He pauses for a moment. ‘She was soaked through. It sounded plausible for a second, that was all.’
It’s my turn to pause. Why would he think it plausible for me to hurl water at Cressida? There’s something here I’m missing. ‘Is it?’
‘Is it what?’
‘Plausible. You said it sounded plausible that I might have thrown water over Cressida. Now, either you think I have the maturity of a sixteen-year-old and can’t stand the idea of you being friends with your ex, which is categorically untrue by the way, or there’s some other reason why you think I might have tossed water at her. So which is it?’
It might be dark, but I hear his sigh all the same.
‘Three days a week is a long time, Laurie.’
I swallow. I don’t know what I expected, but it wasn’t that.
‘What do you mean?’ Since Sarah left for Australia, I’ve put all my energy into being the best wife ever. I could win awards. And now he’s telling me what? That he’s been shagging his ex all along?
‘That I miss you when I’m there,’ he says. ‘And Cress is making it increasingly bloody obvious that she’d be happy for us to have an arrangement.’
‘An arrangement? How frightfully fucking Parisian,’ I say, almost laughing at the absurdity, aware that I’m on the edge of yelling. ‘And do you want that arrangement?’
‘I haven’t done anything,’ he says, heated. ‘I swear I haven’t, Laurie.’
‘Do you want to?’
‘No,’ he says. ‘Not really.’
‘Not really? What does that mean?’ I’m nearly yelling again.
He doesn’t answer me, which is telling in itself. After a minute or two’s silence, I speak again. I don’t want to go to sleep on an argument, but I need to say this.
‘Maybe it’s time to ask about transferring back to London full-time. Brussels was only meant to be temporary.’
My suggestion sits between us in the dark. I know for a fact that he doesn’t want to transfer back, that he’s relishing the work out there. Is it unfair of me to even ask it of him? Or is it unfair of him to ask me to tolerate him working with someone who is blatantly making a play for him? And not just anyone, but his ex?
‘Or maybe you’d rather me just lie here every time you’re away from now on and wonder if this is the night Cressida’s going to catch you at a weak moment?’
‘That’s never going to happen,’ he says as if I’m being ludicrous.
‘You said “not really”,’ I spit. ‘I asked you if you wanted to, and you said “not really”. It’s not the same as “no”, Oscar.’
‘And it’s a bloody long way from saying I’d ever do anything, either,’ he says, riled. He so rarely shouts, it sounds harsher than it should in the quiet room.
We’re both hurt now. ‘We said that we wouldn’t let our marriage suffer for this job,’ I say, more softly.
He rolls on his side towards me, conciliatory. ‘I don’t want Cress, or anyone else but you, Laurie.’
I don’t move. My jaw’s so stiff it feels as if it’s locked in place. ‘We can’t do this for ever, Oscar.’
‘There might be opportunities in a few months to come back to the London office,’ he says. ‘I’ll put the feelers out, okay? Trust me, Laurie, there’s nothing I’d like more than not to have to kiss you goodbye on Sunday evening every week.’
I roll towards him, accepting his olive branch even though I’m not sure I absolutely believe him. Not just because of Cressida; he just seems more wedded to his job than to me sometimes. It’s as if he’s living two lives. One here with me as my husband and another that’s separate from me: vibrant meetings and city bars, sharp dressers, clandestine deals and celebratory dinners. He shares pieces of it with me of course, snippets and the occasional photo message, but by and large I can’t shake the feeling that he’s content with this ‘have his cake and eat it’ lifestyle. He’s a long way removed from my laid-back Thai lover; the painting on our bedroom wall seems more fantasy than memory. I sometimes think he married me as a way to try to hang on to the person he was back there in Koh Lipe; the more entrenched he becomes in his life in Brussels, the more he seems to realize that Thailand was only ever a temporary escape. His real life was always here, waiting in the wings for him to return and play his role. I’m just not sure I was ever cast in the same production.
‘Look. We’re married, Oscar, but that doesn’t mean we can just flick a switch and reroute all of our romantic thoughts and feelings along one single track. Sometimes we get tested. Let’s not be naive.’
We lie facing each other in the dark room.
‘Have you been tested?’
I close my eyes for a second, then decide not to answer that. ‘The important thing is the choices we make when we are tested. Being married isn’t just a legally binding contract, it’s a choice. It’s saying I choose you. Every single day, I wake up and I choose you. I choose you, Oscar.’