Home > The Last Smile in Sunder City (The Fetch Phillips Archives #1)

The Last Smile in Sunder City (The Fetch Phillips Archives #1)
Author: Luke Arnold

1


“Do some good,” she’d said.

Well, I’d tried, hadn’t I? Every case of my career had been tiresome and ultimately pointless. Like when Mrs Habbot hired me to find her missing dog. Two weeks of work, three broken bones, then the old bat died before I could collect my pay, leaving a blind and incontinent poodle in my care for two months. Just long enough for me to fall in love with the damned mutt before he also kicked the big one.

Rest in peace, Pompo.

Then there was my short-lived stint as Aaron King’s bodyguard. Paid in full, not a bruise on my body, but listening to that rich fop whine about his inheritance was four and a half days of agony. I’m still picking his complaints out of my ears with tweezers.

After a string of similarly useless jobs, I was in my office, half-asleep, three-quarters drunk and all out of coffee. That was almost enough. The coffee. Just enough reason to stop the whole stupid game for good. I stood up from my desk and opened the door.

Not the first door. The first door out of my office is the one with the little glass window that reads Fetch Phillips: Man for Hire and leads through the waiting room into the hall.

No. I opened the second door. The one that leads to nothing but a patch of empty air five floors over Main Street. This door had been used by the previous owner but I’d never stepped out of it myself. Not yet, anyway.

The autumn wind slapped my cheeks as I dangled my toes off the edge and looked down at Sunder City. Six years since it all fell apart. Six years of stumbling around, hoping I would trip over some way to make up for all those stupid mistakes.

Why did she ever think I could make a damned bit of difference?

Ring.

The candlestick phone rattled its bells like a beggar asking for change. I watched, wondering whether it would be more trouble to answer it or eat it.

Ring.

Ring.

“Hello?”

“Am I speaking to Mr Phillips?”

“You are.”

“This is Principal Simon Burbage of Ridgerock Academy. Would you be free to drop by this afternoon? I believe I am in need of your assistance.”

I knew the address but he spelled it out anyway. Our meeting would be after school, once the kids had gone home, but he wanted me to arrive a little earlier.

“If possible, come over at half past two. There is a presentation you might be interested in.”

I agreed to the earlier time and the line went dead.

The wind slapped my face again. This time, I allowed the cold air into my lungs and it pushed out the night. My eyelids scraped open. My blood began to thaw. I rubbed a hand across my face and it was rough and dry like a slab of salted meat.

A client. A case. One that might actually mean something.

I grabbed my wallet, lighter, brass knuckles and knife and I kicked the second door closed.

 

 

There was a gap in the clouds after a week of rain and the streets, for a change, looked clean. I was hoping I did too. It was my first job offer in over a fortnight and I needed to make it stick. I wore a patched gray suit, white shirt, black tie, my best pair of boots and the navy, fur-lined coat that was practically a part of me.

Ridgerock Academy was made up of three single-story blocks of concrete behind a wire fence. The largest building was decorated with a painfully colorful mural of smiling faces, sunbeams and stars.

A security guard waited with a pot of coffee and a paper-thin smile. She had eyes that were ready to roll and the unashamed love of a little bit of power. When she asked for my name, I gave it.

“Fetch Phillips. Here to see the Principal.”

I traded my ID for an unimpressed grunt.

“Assembly hall. Straight up the path, red doors to the left.”

It wasn’t my school and I’d never been there before, but the grounds were smeared with a thick coat of nostalgia; the unforgettable aroma of grass-stains, snotty sleeves, fear, confusion and week-old peanut-butter sandwiches.

The red doors were streaked with the accidental graffiti of wayward finger-paint. I pulled them open, took a moment to adjust to the darkness and slipped inside as quietly as I could.

The huge gymnasium doubled as an auditorium. Chairs were stacked neatly on one side, sports equipment spread out around the other. In the middle, warm light from

a projector cut through the darkness and highlighted a smooth, white screen. Particles of dust swirled above a hundred hushed kids who whispered to each other from their seats on the floor. I slid up to the back, leaned against the wall and waited for whatever was to come.

A girl squealed. Some boys laughed. Then a mousy man with white hair and large spectacles moved into the light.

“Settle down, please. The presentation is about to begin.”

I recognized his voice from the phone call.

“Yes, Mr Burbage,” the children sang out in unison. The Principal approached the projector and the spotlight cut hard lines into his face. Students stirred with excitement as he unboxed a reel of film and loaded it on to the sprocket. The speakers crackled and an over-articulated voice rang out.

“The Opus is proud to present…”

I choked on my breath mid-inhalation. The Opus were my old employers and we didn’t part company on the friendliest of terms. If this is what Burbage wanted me to see, then he must have known some of my story. I didn’t like that at all.

“… My Body and Me: Growing Up After the Coda.”

I started to fidget, pulling at a loose thread on my sleeve. The voice-over switched to a male announcer who spoke with that fake, friendly tone I associate with salesmen, con-artists and crooked cops.

“Hello, everyone! We’re here to talk about your body. Now, don’t get uncomfortable, your body is something truly special and it’s important that you know why.”

One of the kids groaned, hoping for a laugh but not finding it. I wasn’t the only one feeling nervous.

“Everyone’s body is different, and that’s fine. Being different means being special, and we are all special in our own unique way.”

Two cartoon children came up on the screen: a boy and a girl. They waved to the kids in the audience like they were old friends.

“You might have something on your body that your friends don’t have. Or maybe they have something you don’t. These differences can be confusing if you don’t understand where they came from.”

The little cartoon characters played along with the voice-over, shrugging in confusion as question marks appeared above their heads. Then they started to transform.

“Maybe your friend has pointy teeth.”

The girl character opened her mouth to reveal sharp fangs.

“Maybe you have stumps on the top of your back.”

The animated boy turned around to present two lumps, emerging from his shoulder blades.

“You could be covered in beautiful brown fur or have more eyes than your classmates. Do you have shiny skin? Great long legs? Maybe even a tail? Whatever you are, whoever you are, you are special. And you are like this for a reason.”

The image changed to a landscape: mountains, rivers and plains, all painted in the style of an innocent picture book. Even though the movie made a great effort to hide it, I knew damn well that this story wasn’t a happy one.

“Since the beginning of time, our world has gained its power from a natural energy that we call magic. Magic was part of almost every creature that walked the lands. Wizards could use it to perform spells. Dragons and Gryphons flew through the air. Elves stayed young and beautiful for centuries. Every creature was in tune with the spirit of the world and it made them different. Special. Magical.

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