Home > In the Lateness of the World - Poems

In the Lateness of the World - Poems
Author: Carolyn Forche

MUSEUM OF STONES


    These are your stones, assembled in matchbox and tin,

    collected from roadside, culvert, and viaduct,

    battlefield, threshing floor, basilica, abattoir—

    stones, loosened by tanks in the streets,

    from a city whose earliest map was drawn in ink on linen,

    schoolyard stones in the hand of a corpse,

    pebble from Baudelaire’s oui,

    stone of the mind within us

    carried from one silence to another,

    stone of cromlech and cairn, schist and shale, hornblende,

    agate, marble, millstones, ruins of choirs and shipyards,

    chalk, marl, mudstone from temples and tombs,

    stone from the silvery grass near the scaffold,

    stone from the tunnel lined with bones,

    lava of a city’s entombment, stones

    chipped from lighthouse, cell wall, scriptorium,

    paving stones from the hands of those who rose against the army,

    stones where the bells had fallen, where the bridges were blown,

    those that had flown through windows, weighted petitions,

    feldspar, rose quartz, blue schist, gneiss, and chert,

    fragments of an abbey at dusk, sandstone toe

    of a Buddha mortared at Bamian,

    stone from the hill of three crosses and a crypt,

    from a chimney where storks cried like human children,

    stones newly fallen from stars, a stillness of stones, a heart,

    altar and boundary stone, marker and vessel, first cast, load and hail,

    bridge stones and others to pave and shut up with,

    stone apple, stone basil, beech, berry, stone brake,

    concretion of the body, as blind as cold as deaf,

    all earth a quarry, all life a labor, stone-faced, stone-drunk

    with hope that this assemblage of rubble, taken together, would become

    a shrine or holy place, an ossuary, immovable and sacred

    like the stone that marked the path of the sun as it entered the human dawn.

 

 

THE BOATMAN


    We were thirty-one souls, he said, in the gray-sick of sea

    in a cold rubber boat, rising and falling in our filth.

    By morning this didn’t matter, no land was in sight,

    all were soaked to the bone, living and dead.

    We could still float, we said, from war to war.

    What lay behind us but ruins of stone piled on ruins of stone?

    City called “mother of the poor” surrounded by fields

    of cotton and millet, city of jewelers and cloak-makers,

    with the oldest church in Christendom and the Sword of Allah.

    If anyone remains there now, he assures, they would be utterly alone.

    There is a hotel named for it in Rome two hundred meters

    from the Piazza di Spagna, where you can have breakfast under

    the portraits of film stars. There the staff cannot do enough for you.

    But I am talking nonsense again, as I have since that night

    we fetched a child, not ours, from the sea, drifting face-

    down in a life vest, its eyes taken by fish or the birds above us.

    After that, Aleppo went up in smoke, and Raqqa came under a rain

    of leaflets warning everyone to go. Leave, yes, but go where?

    We lived through the Americans and Russians, through Americans

    again, many nights of death from the clouds, mornings surprised

    to be waking from the sleep of death, still unburied and alive

    with no safe place. Leave, yes, we’ll obey the leaflets, but go where?

    To the sea to be eaten, to the shores of Europe to be caged?

    To camp misery and camp remain here. I ask you then, where?

    You tell me you are a poet. If so, our destination is the same.

    I find myself now the boatman, driving a taxi at the end of the world.

    I will see that you arrive safely, my friend, I will get you there.

 

 

WATER CRISIS


    They have cut off the water in the sinking metropolis.

    Do not wash clothes! Bathe only with small buckets!

    Meanwhile, cisterns on the roofs of the rich send it

    singing through the pipes of the better houses.

    There is the sound of applause, it is the clap of wings

    just before doves enter the darkness of the dovecote.

    Then a quiet comes. The sirens die down. Security gates

    slam shut. It is like night. We are waiting to breathe again.

    The gamecocks are forced to fight with knives taped to their feet.

    This is illegal. So is everything else and there is never enough.

    The logs are fed little by little into the mouths of the clay ovens.

    Many songbirds have been roasted by the heavens.

    Motor scooters flock through the streets, a murmuration.

    Crossing like starlings the skies. It is a matter of thirst.

    They transport the cocks in baskets covered by plastic bags—

    their entire lives tethered to the ground, trapped in wicker.

    Until they are angry enough. Roof to roof in the conclaves,

    cistern to cold cistern. They have seen to it.

    The rich will have what they want. Is this a relief?

    The last cloud is empty. The first death reason enough.

 

 

REPORT FROM AN ISLAND


    Sea washes the sands in a frill of salt and a yes sound.

    We lie beneath palms, under the star constellations

    of the global south: a cross, a sword pointing upward.

    Through frangipani trees, a light wind. Bats foraging.

    Foreigners smoke the bats out by burning coconuts,

    calling this the bat problem. Or they set out poisonous fruit.

    The gecko hides under a banana leaf. So far nothing is said.

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