Home > Spotlight(61)

Spotlight(61)
Author: Eden Finley

Cameron was our go-between when it came to the label. He fought for us and was a great manager, even though the label won out the majority of the time.

He’s like a father figure to all of us.

“Can you still call me kid when I’m almost thirty?”

“Yes. Yes, I can.”

I lean back in my seat. “What can I do for you?”

“I’ve heard of this new guy on the scene. Lyric Jones.”

I almost drop my damn phone. Did Lyric finally send feelers out? “And you’re calling me because …”

“Rumor has it you produced his demo.”

My eyes narrow, my suspicion tingling. “Uh-huh.” I drag out the word.

“I was hoping to get my hands on it.”

I let out a loud breath. “Harley, you dirty fucker. Are you on the line too?”

Silence.

“Harley?”

“Okay, fine. I’m here.” His tone is defeated yet whiny at the same time.

“There’s the whiny diva I used to be besties with.”

“Used to be?” he exclaims.

“Yeah. I already told you. If you want Lyric’s demo, you need to track him down. I’m out. I like getting laid, thank you very much.”

“I think that’s my cue to tap out,” Cameron says, and we both laugh as he disconnects.

“Ballsy move, Harley.”

“I want that demo.”

“Yeah, and now Cameron will too. If my boyfriend were to choose anyone to help his career, it’d be him. Not you.”

“I don’t know about that.” His voice is pure cockiness. I wouldn’t expect anything different from him. “I have something he wants.”

“Oh, yeah? What’s that?”

“Well, if I love his music as much as I think I will, he’ll have an amazing producer he trusts and an opening set for the relaunch of Eleven.”

My mouth drops open.

“Thought that would get your attention,” Harley says down the line.

“I can’t give you his demo. I’m fucking dying to, but I can’t. He won’t sign with you if I have anything to do with the deal, and I promised I’d butt out.”

“I need him. Honestly, if he’s even half as good as what I’ve heard already, it beats going through a slush pile of demos trying to find a diamond. Lyric is my diamond. I can feel it in my gut.”

It makes sense that Harley heard the same thing in Lyric’s voice that I did. We’ve spent so much time together working on songs, on lyrics and melodies, that we’d pick up on the same talent.

It’s convincing Lyric that Harley saw it on his own that’s the issue.

“I won’t give you his demo, but you might want to go for a drink on Friday night at Cedar Bar. Randomly, of course.”

Harley huffs. “Randomly it is. Any random time?”

“After eight.”

“Thanks, man.”

“Later.”

I end the call and stare down at my phone, hoping I haven’t crossed another line.

 

 

Chapter Twenty-Six

 

 

Lyric

 

 

At the beginning of my set, everything feels normal. I open with my usual song—a song I’m comfortable with. It eases my nerves and the adrenaline from being onstage so I can sink into my own little musical world.

But a few songs in, the energy in the audience changes.

Alex glares at me from behind the bar.

I push through the shift and the weirdness, but then I see him. Well, technically, I see his bodyguard-slash-boyfriend-slash-Goliath first.

Harley Valentine is in the audience.

My fingers stumble over the chords like they always do in front of label execs or anyone important in the industry.

Letting out a loud breath, I tell myself to calm down. I don’t want Harley’s contract anyway.

Keep telling yourself that.

I’ve been trying to force myself to send my demo to some labels, but whenever I’ve gone to do it, I’ve chickened out.

It turns out admitting your issues isn’t the same as fixing them, and that kind of sucks.

I may or may not have been holding out for a miracle cure.

Even though I can’t see Harley, I know he’s out there. Watching me. Listening to me choke.

Sweat drops off my brow.

Make like Taylor Swift and shake it off, Lyric.

For some reason, my conscience sounds like Ryder.

It eases me.

I think about him telling me to stop fighting everything and do what I enjoy.

After fumbling my way through the last of the original I’m singing, I pull over the stool from the corner of the stage and take a seat.

When I try to get out of my head, I imagine the last time I was truly excited about a song. Not singing a song because I thought it represented who I am and what I want. Not a song that has a meaningful message that I don’t connect with.

My fingers start plucking at the strings as if they have a mind of their own. It’s a melody I wrote, but when I start singing, it’s the words Ryder gave me.

It’s the original on my demo we wrote together.

I hadn’t let it out into the world yet. Not at any of my gigs.

I’ve been holding on to it tighter than I should have.

But as I release the angst and my fears about how I want to make it in this industry through a song disguised as a love ballad, my confidence builds.

The audience reacts, but I can’t tell if it’s positive or negative.

I only hear my guitar and my voice.

I thought that would be a good sign. Usually, there’s bar noise in the background, the steady low hum of a large crowd. Hell, some nights I feel like I’m being completely ignored up here.

Right now, there’s nothing.

It’s as if everyone in the room is collectively holding their breaths.

And when I finish out the song, the silence doesn’t stop.

For a beat or two, I think I’ve walked onto the set of some weird-ass movie where everyone’s gone mute because of some random gas leak or bioweapon attack.

It stretches forever, but in reality it’s probably only seconds before the bar erupts in cheers, whistles, and clapping.

The smile that pulls at my lips is probably boyish and not at all professional. It feels like my face is screaming, “You like me! You really like me!”

I clear my throat and tell myself to act like I’m used to this kind of praise from an audience.

I finish out the rest of my set with the songs from my demo and tell myself to ignore the giant bodyguard man and Harley as I exit the stage and head for my dressing room.

They’re not far behind, though.

I’m pacing the room with my hands on my head trying to dispel the leftover adrenaline from being out there when they enter the room without knocking.

My feet stall when a third person enters the room.

Brix closes the door behind them and stands guard. I guess he’s in bodyguard mode not boyfriend mode.

“Lyric Jones, this is Cameron Verikas,” Harley says.

My mouth dries. My palms fucking sweat.

Cameron Verikas is here. Like, right in front of me. He’s responsible for five of the biggest acts of the last twenty years.

“And judging by the look on your face, I’m guessing you already know who he is,” Harley says.

Hot Books
» House of Earth and Blood (Crescent City #1)
» A Kingdom of Flesh and Fire
» From Blood and Ash (Blood And Ash #1)
» A Million Kisses in Your Lifetime
» Deviant King (Royal Elite #1)
» Den of Vipers
» House of Sky and Breath (Crescent City #2)
» The Queen of Nothing (The Folk of the Air #
» Sweet Temptation
» The Sweetest Oblivion (Made #1)
» Chasing Cassandra (The Ravenels #6)
» Wreck & Ruin
» Steel Princess (Royal Elite #2)
» Twisted Hate (Twisted #3)
» The Play (Briar U Book 3)